Few guitarists combined musicality, emotion, and spirituality like George Harrison. From The Beatles to his introspective solo work and later as a founding member of the Traveling Wilburys, he crafted a thoughtful, distinctive sound. The best George Harrison guitar songs in this post reveal his wide-ranging talent—melodic, adventurous, and always heartfelt.

The Evolution of George Harrison’s Guitar Style Through the Years

George Harrison’s guitar playing evolved alongside his personal journey, and each phase of his career reflects where he was at the time. During his years with The Beatles, he started out quietly, often in the background, but gradually developed a distinct voice—creating beautiful chord progressions and melodic slide guitar on songs like “Something” and “While My Guitar Gently Weeps.” It was a time of spiritual exploration and creative tension, as he worked to step out from under the Lennon-McCartney spotlight.

His solo work, especially on All Things Must Pass, marked a real turning point—he finally had the space to express himself fully, and his playing became more emotional, textured, and free. Influenced by Indian philosophy, Ravi Shankar, and the Hare Krishna movement, Harrison wove spiritual themes into songs like “My Sweet Lord,” blending rock with devotion. That sense of inner searching came through in his guitar work too—soulful, melodic, and deeply personal.

Then came the Traveling Wilburys, where he seemed more relaxed and content than ever. Surrounded by fellow legends Bob Dylan, Tom Petty, Roy Orbison and Jeff Lynne, Harrison’s guitar work on songs like “Handle with Care” was confident, subtle, and full of charm—proof that he had grown into his own and was enjoying music purely for the joy of it.

Now, let’s indulge ourselves into some of the best George Harrison guitar songs with chords, lyrics and video lessons.

Have a great time!

1. While My Guitar Gently Weeps (The Beatles)

This emotional masterpiece from The White Album is perhaps Harrison’s most iconic Beatles-era song. While Eric Clapton played the lead guitar solo, the song is a George Harrison creation through and through. Its haunting chord changes, poignant lyrics, and overall arrangement show Harrison at his most expressive. Chords

2. Something (The Beatles)

“Something” marked a turning point for Harrison as a songwriter. With one of the most beautiful melodies in The Beatles’ catalog, it’s also home to a simple but deeply moving guitar solo. Harrison’s playing here is lyrical and precise, allowing the guitar to act as a second voice rather than a spotlight instrument. Chords

3. Here Comes the Sun (The Beatles)

This optimistic, acoustic-driven track from Abbey Road remains one of Harrison’s most loved songs. The fingerpicked riff, rhythmic complexity, and natural warmth of the performance make it a timeless example of acoustic guitar in pop-rock music. It’s technically intricate but feels effortlessly joyful. Chords

4. My Sweet Lord (Solo – All Things Must Pass)

One of Harrison’s most spiritual and commercially successful solo tracks, “My Sweet Lord” combines devotion with musical brilliance. The slide guitar work became a signature part of Harrison’s solo sound—melodic, resonant, and instantly recognizable. It blends rock and gospel in a way that feels both personal and universal. Chords

5. Taxman (The Beatles)

Opening Revolver, “Taxman” introduced a sharper, more politically aware Harrison. The song’s jagged rhythm guitar and biting lyrics showed a new side of him. While Paul McCartney played the fiery lead solo, Harrison’s riff and vocal delivery are what give the track its distinctive edge and drive. Chords

6. Isn’t It a Pity (Solo – All Things Must Pass)

A slow, sweeping meditation on human disconnect and sorrow, “Isn’t It a Pity” is one of Harrison’s most powerful solo statements. The guitar tone is spacious and emotional, gently weaving through layers of orchestration. Rather than showing off, Harrison’s playing here deepens the song’s message. Chords

7. If I Needed Someone (The Beatles)

This track reflects Harrison’s early interest in folk rock and Indian music. Inspired by The Byrds and built around a chiming 12-string guitar, “If I Needed Someone” stands out for its melodic structure and harmonies. It also hinted at his growing influence within The Beatles’ creative direction during the mid-60s. Chords

8. Handle with Care (Traveling Wilburys)

As one of the Traveling Wilburys’ most beloved songs, “Handle with Care” features Harrison’s warm, melodic guitar playing that perfectly complements the supergroup’s harmonious vocals. The track’s blend of rock and folk elements highlights his knack for creating memorable, heartfelt melodies within a collaborative setting. Chords

9. All Things Must Pass (Solo – All Things Must Pass)

The title track of his 1970 triple album is a beautifully written reflection on impermanence and renewal. The guitar work is understated but rich with emotion. Acoustic textures and subtle slide playing support lyrics that speak to growth, change, and spiritual resilience. It’s one of his most meaningful compositions. Chords

10. Heading for the Light (Traveling Wilburys)

“Heading for the Light” is a standout track that showcases George Harrison’s signature blend of spirituality and melody. Written and sung by Harrison, the song reflects his introspective journey with uplifting lyrics and a warm, melodic guitar line. Its hopeful tone and thoughtful arrangement highlight Harrison’s ability to infuse his music with both depth and accessibility. Chords

What’s your favorite George Harrison guitar song? Please share it in the comments. I’d love to know.

Sloppy chord changes is one of the most common frustrations for beginner and even intermediate guitarists, often making songs sound messy and discouraging progress. The good news? With a few simple guitar practice tips, you can clean up your chord transitions and play more smoothly. Today we’re gonna show you how to fix sloppy chord changes on guitar and start sounding more confident and professional.

How to Fix Sloppy Chord Changes on Guitar

1. Get Your Chord Shapes Down Cold

Before you can change chords smoothly, you need to know each chord shape inside and out. That means:

• You can form the chord without thinking
• Get your chords sounds clean and clear
• Your fingers land on the strings at the same time
• You’re not “building” the chord finger by finger

Tip: Practice “chord grabbing.” Lift your hand off the fretboard, then place your fingers down on the chord shape in one smooth motion. Do this repeatedly until it feels automatic.

2. Use the “Pivot Finger” Technique

A pivot finger is one that stays in the same place (or nearly the same place) between two chords. For example, when switching from G to D, your ring finger can often stay on the same string. Using this technique:

• Reduces finger movement
• Helps you transition faster
• Keeps your hand oriented properly

Look for opportunities to reuse fingers between chord shapes whenever possible.

3. Practice Chord Changes in Time (Slowly)

Many players try to speed through chord changes and get frustrated when it sounds messy. Instead, slow down and focus on staying in time.

Use a metronome or backing track and switch between two chords (e.g., G to C) on every measure. If you can’t make the switch cleanly in time, slow the tempo until you can.

Even 5 minutes a day of slow, in-time practice will yield huge results over time.

4. Use the “Ghost Strum” Technique

One of the most common reasons chord changes sound sloppy is because your fretting hand can’t quite keep up with your strumming hand. You pause for a split second during the change, and suddenly the rhythm falls apart. That’s where the “ghost strum” technique comes in—it’s a simple but powerful way to keep your rhythm flowing, even when your fingers are still moving into place.

A ghost strum is when you keep strumming through a chord change, even if your fingers aren’t fully pressing down the next chord yet. Instead of stopping your strumming to wait for your hand to catch up, you let your strumming hand keep moving like a metronome. You might strum muted strings or even open strings briefly—but the important thing is: don’t stop the motion.

How to Do It:

1. Strum through the change – Even if your chord isn’t ready, let your strumming hand keep going.
2. Lightly touch the strings – Let your fretting hand hover or touch the strings without pressing down all the way.
3. Land on the chord cleanly – Aim to have your fingers fully in place by the next beat so the chord rings out clearly.

This technique might feel awkward at first because you’re strumming without a full chord in place, but that’s okay! You’re training your hands to work independently—your strumming hand keeps time while your fretting hand catches up.

5. Visualize the Change Before You Make It

Just like a chess player sees moves ahead, you can visualize your next chord before you even get there. This mental preparation can reduce hesitation and finger flubs.

Before switching chords, picture the next chord’s shape in your mind. You’ll be surprised how much smoother things become when your brain is one step ahead.

6. Isolate Problem Pairs

Some chord transitions are trickier than others (looking at you, F to Dm!). Don’t just play songs from start to finish—isolate the problem spots and work on them directly.

Set a timer for 2–3 minutes and loop the tough change over and over. It’s not glamorous, but this focused work pays off quickly.

7. Record Yourself

Sometimes you don’t realize how choppy your playing sounds until you hear it from the outside. Record a short clip of yourself playing and listen with fresh ears. This is one of the most confronting but effective ways on how to fix sloppy chord changes on guitar.

Ask yourself:

• Are there hesitations?
• Do the chords ring clearly?
• Is the rhythm consistent?

This helps you identify specific areas to improve—and track your progress over time.

Smooth Chord Changes Take Time and Targeted Practice

If your chord changes still sound sloppy, don’t get discouraged. Even professional guitarists had to go through this phase. With a mix of muscle memory training, slow practice, and smart techniques like pivot fingers and ghost strums, you’ll see real improvement—often faster than you expect.

Stick with it, and soon you’ll be playing clean, smooth chord transitions without even thinking about it.

Go after it!

You might think The Eagles need no introduction, but a new generation is discovering them for the first time. So before we’ll get into the “Easy Eagles Songs to Play on Guitar” here’s a small introduction.

The Eagles, an American rock band, formed in Los Angeles in 1971 and gained fame for their distinctive blend of rock, country, and folk music.

They became one of the best-selling bands in history with hits like “Hotel California,” “Take It Easy,” and “Desperado,”.

Many critics and fans regard their 1976 album Hotel California as one of the greatest rock albums of all time, and the title track remains an enduring classic.

The band broke up in 1980 but reunited in 1994 for the Hell Freezes Over tour and album, symbolizing their lasting influence in rock history.

What Are Easy Eagles Songs to Play on Guitar?

As a guitar student you cannot get around The Eagles. Their songs are a must addition to your guitar routine and repertoire. The beautiful chord progressions, guitar licks, intro’s and solo’s contain a great treasure to learn from and level up your playing.

Fortunately for the beginner, many of their biggest hits feature simple chords, chord progressions and strumming patterns, making them perfect for both beginner and intermediate guitar player.

Now make yourself a nice cappuccino, take your guitar out of the stand, allow yourself to indulge with your favorite Eagles songs and enjoy a great moment!

Bask in the bliss of practice!

1. “Take It Easy”

Jackson Browne co-wrote ‘Take It Easy’ with the Eagles’ Glenn Frey. The song appeared on the band’s 1972 self-titled debut album, Eagles.

Browne began writing the song but hit a wall, so Frey stepped in and helped him finish it. Frey once described it as ‘a great opener’ because of its message about not taking life too seriously.

Glenn Frey and Bernie Leadon were the primary guitarists on ‘Take It Easy.’ Frey played lead guitar and took a leading role in arranging the song, while Leadon added a distinctive banjo part that helped shape its country-rock sound.

“Take it easy” starts relaxed with the intro playing G – G – G6sus4 (3×2013) – Gadd9sus4 (3×0013) and then comes in with a basic uptempo strumming pattern: Down-down-up-up-down-up. Great for practicing simple chord changes and singing along.

Chords: G – G6sus4 – Gadd9sus4 – D – C – Em – Am

Chords

2. “Hotel California” (Acoustic Version)

Don Felder, Don Henley, and Glenn Frey of the Eagles wrote ‘Hotel California”. Don Felder composed the music, while Henley and Frey wrote the lyrics. The song has a really recognizable and awesome chord progression that every guitar player has to learn throughout their guitar endeavor.

Don Henley, the primary lyricist, explained that the song is about the excesses and hedonism of American life in the 1970s, particularly in California.

The chords for the song, if played with the capo on the 2nd fret, are Am – E7 – G – D – F – Dm – E7 for the verses and F – C – E7 – Am – F – C – Dm – E7 for the chorus. For the strumming pattern you can play a basic 4/4 rhythm pattern.

Chords

3. “Peaceful Easy Feeling”

Jack Tempchin, who often collaborated with the Eagles, wrote ‘Peaceful Easy Feeling’ despite not being part of the band. The Eagles recorded the song for their debut album, and it became one of their signature tracks.

He recalled writing it after spending time in a coffee shop, observing the relaxed California lifestyle, and thinking about the comfort of knowing that, even if love doesn’t work out, you’ll still be okay.

The guitarist on “Peaceful Easy Feeling” was Bernie Leadon, the Eagles’ original lead guitarist and multi-instrumentalist.

Chords

4. “Tequila Sunrise”

Don Henley and Glenn Frey of the Eagles wrote ‘Tequila Sunrise,’ which appeared on their 1973 album Desperado. Bernie Leadon, the Eagles’ lead guitarist at the time, made use of a B-bender guitar (which mimics a pedal steel) which helped give the song its distinct country-rock flavor.

The chord for the song are G – G6 – Am – D7 – D – Em – C – Bm – E – B7 – Em7 – A7

Chords

5. “Lyin’ Eyes”

Don Henley and Glenn Frey of the Eagles wrote ‘Lyin’ Eyes.’ The song, released in 1975, became one of the band’s most successful hits.

The guitarist for “Lyin’ Eyes” was Don Felder, with significant contributions from Bernie Leadon, especially for the country-influenced flavor of the track. Felder and Leadon played interwoven guitar lines which were characteristic for The Eagles’ overal sound. The chords for the songs are G – Gmaj7 – C – Am – D7 – D – C/D – Em – Bm – F/G – A7.

Chords

6. “Desperado”

Don Henley and Glenn Frey of the Eagles wrote ‘Desperado.’ It’s one of the band’s most iconic songs, released in 1973 as the title track of their second album, Desperado.

Don Henley, the primary lyricist, said he drew inspiration for the song from his interest in the Old West and the outlaw image, but it eventually evolved into something more personal.

Glenn Frey played most of the guitar parts, with Bernie Leadon also contributing. The song itself is more piano-driven, nonetheless it’s a great to song to learn to play on the guitar.

Chords

7. “Best of My Love”

Don Henley, Glenn Frey, and J.D. Souther wrote ‘Best of My Love.’ Released in 1974 on the Eagles’ On the Border album, it became the band’s first No. 1 hit.

Don Felder and Joe Walsh played significant roles in shaping the song’s sound. They emphasized the importance of harmony and interplay between their guitars, which helped create the track’s smooth and layered feel.

The song is fairly easy to play because of the slow and easy strumming parts and the chords in the verses are two bars / measures each which gives you time to play smooth transitions.

Chords

8. “New Kid in Town”

Glenn Frey, Don Henley, and J.D. Souther co-wrote ‘New Kid in Town,’ and the Eagles recorded it for their 1976 album Hotel California.”

The guitar work on “There’s a New Kid in Town” features contributions from Glenn Frey and Don Felder. Frey, known for his rhythm guitar playing, provided the primary acoustic elements, while Felder contributed the electric guitar parts.

The song does have a few bar chords like F#m7 – C#m – B and F#, so if you’re beginner you might want to practice your bar chords first or you can play the easier version with the capo on the 2nd fret.

Chords (original)

Chords (easier version)

9. “One of These Nights”

Glenn Frey and Don Henley wrote ‘One of These Nights,’ which became a major hit for the Eagles. Musically, the song marked a shift for the band, incorporating influences from R&B and disco, particularly inspired by their studio time with the Bee Gees.

Don Felder highlighted the meticulous nature of their recording process. Felder emphasized the band’s pursuit of perfection, saying they didn’t tolerate mistakes during performances—a mindset that kept their quality high.

Chords

10. “Already Gone”

“Already Gone” was co-written by Jack Tempchin and Robb Strandlund. Jack Tempchin also wrote the Eagles’ hit “Peaceful Easy Feeling.”

The guitar work on “Already Gone” features contributions from Don Felder and Glenn Frey. Felder, who had recently joined the Eagles, played a significant role in shaping the song’s sound. The main part is a rock’n roll blues rhythm with easy but lovely guitar licks perfect for the beginner / intermediate player.

The chords for the song are G – D – C – C/E – C/F – C/F# – F

Chords

11. “I Can’t Tell You Why”

Eagles bassist Timothy B. Schmit wrote ‘I Can’t Tell You Why’, along with bandmates Don Henley and Glenn Frey for the album The Long Run. Schmit came up with the initial idea, bringing it to Henley and Frey to help develop the song.

Glenn Frey played the rhythm guitar in addition to handling the lead guitar work on the studio version of the song. The chords for the song are Bm – A – D – G – F#7 – Am – F – C – E7.

Chords

12. “Wasted Time”

Don Henley and Glenn Frey of the Eagles wrote ‘Wasted Time.’ The track was a part of Hotel California (1976), and its lush arrangement, especially with the inclusion of piano and orchestral elements, sets it apart as one of the Eagles’ most poignant ballads.

Although the guitar is not in the front of the song you can definitely play it acoustic wise along with the nice country/blues guitar licks that appear frequently throughout the song.

Chords

13. “The Long Run”

Don Henley and Glenn Frey wrote ‘The Long Run.’ Henley explained that the song was a metaphor for the changing musical landscape at the time, particularly with the rise of disco and punk, and the Eagles questioning their own longevity. The line “Who is gonna make it? We’ll find out in the long run” sums up their concerns about staying relevant in an evolving industry.

Glenn Frey played rhythm guitar and contributed significantly to the solos, while Joe Walsh and Don Felder added distinctive slide guitar parts.

Chords

14. “Love Will Keep Us Alive”

British songwriters Pete Vale, Jim Capaldi, and Paul Carrack (of Mike + the Mechanics) wrote ‘Love Will Keep Us Alive.’ The Eagles included the song on their 1994 album Hell Freezes Over.

Paul Carrack said he originally wrote the song for his solo career, but it ended up fitting perfectly with the Eagles’ reunion.

Chords

15. “Take It to the Limit”

Randy Meisner co-wrote ‘Take It to the Limit’ with Don Henley and Glenn Frey. The Eagles released the song in 1975 on their album One of These Nights.

The song became one of the band’s biggest hits and was notable for Meisner’s powerful lead vocals, particularly the high notes he hit during the chorus.

Randy Meisner, who originally sang lead vocals, faced challenges performing the song, particularly during the Hotel California tour. His challenges with hitting high notes, coupled with personal struggles, resulted in increased tensions within the band, ultimately leading to a confrontation with Glenn Frey that played a role in his exit from the Eagles​.

The chords for the song are C – F – G – E7 – Am – Dm – Fadd9

Chords

16. “Doolin-Dalton”

“Doolin’ Dalton” was co-written by Glenn Frey and Don Henley, along with J.D. Souther, and is featured on the Eagles’ 1973 album Desperado. The song tells the story of two infamous outlaws, Doolin and Dalton, capturing themes of adventure and the consequences of a lawless life.

Don Felder, who joined the band shortly after the album’s release, contributed significantly to their guitar dynamics, emphasizing a combination of melody and harmony.

Chords

17. “Seven Bridges Road”

“Seven Bridges Road” was written by Steve Young, an influential yet often overlooked songwriter in the outlaw country genre. Regarding the Eagles’ version, which became the most famous interpretation, Young initially had mixed feelings about it. He thought it sounded “too bluegrassy, too gospel” at first, but he grew to appreciate it over time​.

The Eagles included the song on their live album “Eagles Live.” The song can be played using only three chords D – C – G.

Chords

18. “Pretty Maids All in a Row”

“Pretty Maids All in a Row” was written by Eagles guitarist Joe Walsh with his longtime collaborator Joe Vitale. The song was a standout for Walsh on Hotel California, because it marked one of his rare vocal performances with the band.

Walsh had already written a few verses and the melody, later Vitale joined him at his house, and within two or three hours, they wrapped up the song, with Vitale adding the chorus and refining parts of it. Despite not being one of the more famous tracks from Hotel California, it gained recognition, even being praised by Bob Dylan in a 2020 interview.

Chords

19. “After the Thrill is Gone”

“After the Thrill Is Gone” was written by Don Henley and Glenn Frey of the Eagles. The song was released on the band’s 1975 album One of These Nights.

Henley said he and Frey knew B.B. King’s song ‘The Thrill Is Gone’ and used it as a starting point to explore what happens after the initial thrill in life or love fades.

He described the song as a response to the question, ‘Now that the thrill is gone, what comes next?’

The guitar work on the track was performed by both Bernie Leadon and Don Felder. Leadon played the pedal steel guitar, adding a country vibe, while Felder contributed the lead guitar parts.

Chords

20. “The Sad Café”

“The Sad Café” was written by Don Henley, Glenn Frey, Joe Walsh, and J.D. Souther, and it appeared on the Eagles’ The Long Run album in 1979. 

Henley has mentioned that the song is a nostalgic look at a time and place where many of the band members, along with other musicians and artists, used to gather—places like the Troubadour in Los Angeles.

Joe Walsh played the lead guitar on this track, adding his distinctive style to the song’s introspective tone.

The chords for the song are : A – Dm – E – Bm7b5 – E7 – Dm7 – F#m – C#m7 – Bm – Esus4 – Dsus4 – D

Chords

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For guitar players and musicians alike, Damien Rice stands as a masterclass in the art of songwriting with unique songs like The Blowers Daughter and Cannonball. He’s definitely one of my favorite artists.

Damien goes to the deepest core of his soul and you hear it right away. This is as authentic as it gets.

He knows how to craft a great song with beautiful melodic phrases accompanied by delicate and raw rhythm guitar playing. It’s all there, in each and every song.

I’ve listed the top 10 of songs that really stand out for me. I hope you enjoy them as much as I do.

There are links to the videos, tablature and chords so you can pick your favorite and learn to play it, study it and master it. There’s a lot to learn from.

Remember, Practice and you’ll become a better guitar player. It’s that simple!

What are the Best Damien Rice Songs to Play on Guitar

1 – Cannonball

Cannonball is one of Damien Rice’s best known songs. It has a really cool guitar phrase that is played throughout the verses and starts with the capo on the 6th fret.

Once you got this phrase under your belt you’re hooked and wanna keep playing it over and over again.

The intro theme is more suited for intermediate guitar players, but of course you can simplify the song by just playing the chords so you can sing along with it.

The chords for the verses are: Em7 – Cadd9 – G – G/F# (3 times) and then Am7 – C/B – C – D. For the chorus Damien plays G – Cadd9 – D (3 times) ending with Am7 – Cadd9 – D – Em7.

Chords or Tabs

2 – Delicate

The song “Delicate” is played in the key of C with capo on the 5th fret using hammer-ons with the second (middle) finger on the C and Fmaj7 chords to create beautiful chord harmonies.

The combination of playful chord progressions and vocal melodies makes this a one of my favorite songs to play and sing.

Chords and Tabs

3 – The Blowers Daughter

This is the song where it all started. The song cut’s through your musical soul if you take the time to listen to with undivided attention. This masterpiece is unique and Rice at his best when he plays it live. Definitely check it out some his live performances on Youtube.

Chords

4 – Amie

The song “Amie” is an acoustic emotional folk ballad played on his beautiful sounding Lowden guitar. It’s an easy to play guitar song that could move you to tears because of the way he plays and sings it.

In the video above he explains the story behind the song, which paradoxically is quite hilarious.

The Song’s title  “Amie” means friend in French which gives it a dual meaning. The song is played with the capo on the 7th fret.

For the verses he plays G  – Gadd9/F# – Em7 – C – Am7  – Em – C – D and the progression for the chorus is Em – C – D – G  – C – Bm – Am7 – C – D.

Chords

5 – The Box

After many years of silence Damien Rice came out with a new album “My Favourite Faded Fantasy” with some new crafted treasures equipped with beautiful chord harmonies and lyrical melodies. The Box is one of those songs, so simple , elegant and so powerful.

Although we’re talking guitars here, the lyrics of this song are absolutely spot on. Everyone can find something that resonates, whether it’s relationship wise, a job, a phase, a feeling, or just life itself. Moreover, it’s a really nice and simple song to play and sing that you will absolutely enjoy.

The chords for the verses are G – D – Em7 – Bm and for the chorus Am(add9) – Em7 (4 times).

Chords

6 – Coconut Skins

Coconut Skins is an uptempo acoustic song that is really fun to play using the famous Wonderwall chords as I like to call them. The song uses one chord progression throughout the entire song starting out gently and building up to an exploding climax. Try this one, you’ll love it.

Coconut skins: /  Em7    /    %   /   %   /   Em7  Gadd9\F#   /  G   /  %   /  %  /   G   Gadd9\F#  / 

Chords

7 – Me, My Yoke and I

Me, My, Yoke and I is one of the lesser known songs by Damien, but it’s oh so good. It’s got a crazy rocking slide riff that will crank up your amp. It’s really fun to play!

It starts with strumming an Am chord twice and then your second finger on the D-string from that chord will slide to the 10th fret. You do that a couple of times then you quickly jump to a G chord and then strum the F chord twice where you third finger on the A-string from the F-chord will slide to the 10th fret. This is the main riff that is played throughout the song.

Chords or Tabs

8 – Colour Me In

Colour me is a tender vulnerable love song with an absolutely beautiful melody. As often with Damien’s songs he starts out softly and gradually builds up to a climax to bring in those deep heart-felt emotions.

The chords for the verses are C – F – G – C – F – G – Am – C – F – G. The chords for chorus are C – F – G – C – Am – G – Am – C – F – G

He spices up the chords with sus2 and sus4 chords to add some flavor and uses a combination of strumming and finger style for the right hand. Check out the live version of the song from the Guardian Sessions.

Chords or Tabs

9 – Volcano

Volcano is a song with a really great groove and musical vibe to it. Along with his partner Lisa Hannigan they make for a perfect duo in this song bringing out the absolute best.

The song has a nice chord rhythm riff that is mainly playing the chord progression Am – G – F for the verses and Am – G – F – G for the chorus. 

You can also play the chords more intermediate style by playing the Am as an open shape chord starting on the 5 fret (x77500) then going to the G6 (x55430) and then Fmaj7 (x33210)

Chords or Tabs

10 – The Animals Were Gone

This is a georgous melancholic song that involves a nice easy fingerpicking pattern that is really doable. Perfect for beginner guitar players, but just as much fun for guitar players of any level, cause in the end it’s all about the song.

The chord progression for the verses is : G – C – Am – D – G – Em – Am – B7 and for the chorus the chords are: Am – G – Am – G and you play that four times.

Chords or Tabs

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There’s no doubt about it, John Mayer is one of the few popular singer songwriters, if not the only, from the last two decades who also happens to be a virtuoso guitar player who’s name won’t be forgotten.

With his soulful vocals and bluesy guitar licks, Mayer has created a catalog of really good songs that showcase his incredible guitar skills.

From the sultry tones of “Slow Dancing in a Burning Room” to the heartfelt melodies of “Gravity,” John Mayer has a knack for weaving his emotions into every note he plays.

His ability to blend various styles, from blues and rock to pop and folk, makes him a versatile guitarist whose songs appeal to a broad audience.

In this blog post, I’ve created the Top 10 Best John Mayer guitar songs that have left an indelible mark on both guitarists and music lovers alike.

While most of the songs are for intermediate and advanced guitar players, you can also just play the chords and strum along to the song if you like to sing, making it an easier and fun experience for all levels of playing.

I’ve included the chords and tabs to the songs so you can pick your favorites and start practicing.

Have a great time!

Slow dancing in a burning room

“Slow Dancing in a Burning Room” is a superb song in every way and is one of the top favorites among John Mayer’s fan base. The song was released in 2006 on John’s album “Continuum,” and made a significant impact on the charts, peaking at number 71 on the Billboard Hot 100.

During the recording of this track, John Mayer used his Fender Deluxe Stratocaster close-miked with a SM-57, C-451 and a C-24 room microphone. For the overdubs he used several Two rock amps. Other instruments on the track included a bass guitar, drums, and keyboards that created the overall mesmerizing sound.

The song is played in the key of C# minor, with a 4/4 time signature and a moderate tempo of around 75 BPM. Chords used for “Slow Dancing in a Burning Room” include C#m, A, D, G, E, B, Aadd9, Badd11, and F#m11, and G#m7. These chords are beautifully woven together to create the melancholic and captivating melody for this classic Mayer tune.

The heart of life

“The Heart of Life” is an emotionally charged song that was released in 2006 as part of his album “Continuum.” It didn’t make significant waves on the charts but has remained a fan favorite for its soulful lyrics and melody.

During the recording of “The Heart of Life,” John Mayer used a Fender Stratocaster guitar and a Dumble Overdrive Special amp to achieve the warm and clean tones. The Dumble Overdrive Special is a boutique guitar amplifier that was hand-built by Alexander “Howard” Dumble in the 1970s and 1980s. It is known for its unique sound and rarity, with only around 300 units ever produced.

The key of the song is C# major, and played in a 4/4 time signature at a moderate tempo of around 90 BPM. Chords used for “The Heart of Life” played with the capo on the 1st fret are C, Am, Em, F and G.

For the strumming John uses a technique called the Slapping thumb technique. It is a fingerstyle technique that involves slapping the bottom strings with the thumb while simultaneously hitting higher strings with the index and middle fingers. The percussive slap produced by the thumb is similar to a snare drum and needs to be consistent in rhythm and sound.

Stop this train

“Stop This Train,” a poignant composition by the talented John Mayer, was released in 2006 on his album “Continuum.” This introspective track reflects on the passage of time and the desire to hold on to life’s fleeting moments. It didn’t chart prominently but struck a chord with listeners on a deeply personal level.

During the recording of “Stop This Train,” John Mayer opted for his trusty Martin OM-28M Eric Clapton Signature acoustic guitar to achieve its warm, resonant tones.

He plays the song in the key of D major, employing a 4/4 time signature at a tempo of around 94 BPM. The strumming pattern involves a technique called the ‘slapping thumb technique’ maintaining a steady and contemplative rhythm throughout the song.

Chords used for “Stop This Train” include Gmaj7, Dsus2, Dmaj13, Bm9/D, Asus2/D for the verse and GmMaj7, D/F#, E9, Gsus2/A, A7, Am7 and A9 for the chorus. These chords, combined with Mayer’s heartfelt lyrics and soulful delivery, create a song that resonates with anyone grappling with the relentless march of time.

Gravity

“Gravity” is a slow soulful ballad released in 2006 on the album “Continuum,” John told at a concert in December of 2005 that this song was the most important song he’d ever written.

During the recording of “Gravity,” John Mayer chose his beloved Fender Stratocaster guitar, coupled with a vintage Dumble Steel String Singer amplifier, to craft its signature bluesy, emotive sound.

The song is performed in the key of G major, maintaining a steady 4/4 time signature at a languid tempo of approximately 64 BPM. Chords used for “Gravity” include G, C, D/F#, Am7, D7, Gm/Bb and Ebmaj7.

Vultures

“Vultures” is a rock-infused track that was released in 2006 as part of his album “Continuum.” Known for its beautiful guitar riff/theme where he makes use of double stops, it made a notable impact on the rock charts, reaching number 32 on the Billboard Mainstream Rock Tracks.

During the recording John Mayer turned to his gold leave Stratocaster. John said it was the guitar the wrote the song on and the only guitar the song works on.

“Vultures” is performed in F#m, maintaining a standard 4/4 time signature at a brisk tempo of around 126 BPM. Although the song is predominantly played with double stops you can play it in an easy fashion using the chords F#m, A and B.

Love on the weekend

“Love on the Weekend” is a beautiful relaxed tune you would listen to riding in your car on a Friday night. It’s a perfect song for beginners playing two measures of each chord throughout the song and a nice and easy intro solo.

Released in 2016 as a single and served as a precursor to his album “The Search for Everything” the tune achieved moderate success, peaking at number 53 on the Billboard Hot 100.

During the recording of “Love on the Weekend,” John Mayer relied on his trusty Fender Stratocaster guitar, coupled with a vintage-style Fender Deluxe Reverb amplifier, which provided the song’s warm and inviting tones.

“Love on the Weekend” is played in the key of G major, maintaining a familiar 4/4 time signature at a comfortable tempo of around 90 BPM. For the strumming pattern you can play down-down-up-up-down-up allowing the guitar to groove smoothly along with the song’s laid-back rhythm, creating a perfect backdrop. Chords used for “Love on the Weekend” include G, C and D.

Neon

“Neon” is a dazzling display of John Mayer’s guitar virtuosity. Written by Mayer himself, this intricate piece was released in 2001 on his debut album, “Room for Squares.” While it didn’t make significant chart waves, it has become a hallmark of Mayer’s live performances.

For the recording of “Neon,” John Mayer employed his signature Fender Stratocaster guitar paired with a Two-Rock Custom Reverb amplifier.

“Neon” is played in C#m, maintaining a 4/4 time signature at a brisk tempo of approximately 116 BPM. The strumming pattern is complex, involving a combination of precise downstrokes and rapid upstrokes and John’s thumb slap fingerstyle technique.

While the song is not your straight forward chord strumming tune the chords for the song include C#m, Eb, Fm, Ab, Bb, Gm, Gb and C. “Neon” remains a challenging yet rewarding piece for guitarists looking to push their boundaries and explore the world of fingerstyle playing.

Why Georgia

“Why Georgia” is a beautiful melodic song. It was released in 2001 on his debut album, “Room for Squares,” marking Mayer’s emergence as a singer-songwriter.

For the recording of “Why Georgia,” John Mayer relied on his Martin D-28.

The song is played in the key of G major, maintaining a common 4/4 time signature at a moderate tempo of around 95 BPM. The strumming pattern involves the thumb slap technique that became his trademark. For a simplified version of the song you can play the chords: G, D, C, Em, A and F.

Queen of California

“Queen of California” is a great fingerpicking song. The song was released in 2012 as part of his album “Born and Raised,” this song marks a transition in Mayer’s new sound towards folk and Americana. It enjoyed modest success, reaching number 67 on the Billboard Hot 100.

During the recording of “Queen of California,” John Mayer utilized his Martin 00-45SC acoustic guitar and a vintage-style Fender Deluxe Reverb amplifier, achieving the song’s warm, folk-inspired tones.

The song is played in the key of G major, maintaining a 4/4 time signature at a relaxed tempo of around 84 BPM. The strumming pattern involves his famous thumb slap technique, but if that is beyond your capacity you can also play it without the slap which sounds pretty good too. The chords for “Queen of California” are G, C, Am and D.

Perfectly Lonely

“Perfectly Lonely” is a soulful catchy pop song by John Mayer. This song was released in 2009 on his album “Battle Studies”.

For the recording of “Perfectly Lonely,” John Mayer relied on his signature Fender Stratocaster guitar paired with a vintage-style Fender Deluxe Reverb amplifier, creating the song’s distinctive bluesy tones. .

“Perfectly Lonely” is played in the key of C major, maintaining a 4/4 time signature at a moderate tempo of around 94 BPM. The strumming pattern a sophisticated mix of downstrokes and upstrokes, but also allows a simple 4/4 strumming pattern. Listen to the song and try to catch the groove by strumming along to the rhythm. The chords used for “Perfectly Lonely” are C, F, Dm, G, Em, Am and F.

Download Free John Mayer Chords and Tabs links sheet here

Greetings, fellow guitar aficionados, today we’re going to embark on an exciting lesson through the world of Neil Young’s best guitar songs. If you aren’t familiar with Neil’s repertoire you should definitely check it out and study it to the bone, because there is so incredibly much to learn from.

There’s no musician more authentic and real in his music and playing than Neil.

Neil Young is a legendary musician known for his great melodies and versatile guitar playing style. He has inspired countless musicians around the world.

Whether you love strumming along to beautiful acoustic guitar classics or you want to learn how to play rocking guitar riffs on the electric guitar, you’re in for a treat. I’ve put together a list of the top 20 Neil Young guitar songs that are sure to get your fingers moving and your heart singing.

The songs are both for the seasoned and beginner guitar player, and offer something for everyone. So grab your guitar, find a cozy spot, and get ready to strum along to some of the most iconic and authentic guitar songs ever created. Let’s dive in together!

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Heart of Gold

The song “Heart of Gold” was written by Neil Young in 1971 and released as part of his album “Harvest.” It reached the number one spot on the Billboard Hot 100 chart in 1972.

During the recording of “Heart of Gold,” Neil Young played a Martin D-28 acoustic guitar and a Hohner Marine Band G major harmonica. The song contains a beautiful simple riff that is a “must know” for every guitar player.

Chords used for “Heart of Gold” (according to Ultimate Guitar website) are G, Em, C, and D. The song is played in Em, with a 4/4 time signature, and a tempo around 84 BPM. The strumming pattern consists of gentle downstrokes for the verses and a combination of down-up strums for the chorus.

Heart of gold chords

Like a Hurricane

“Like a Hurricane” is a powerful rock ballad that embodies themes of love, desire, and emotional turmoil. Written by Neil Young, the song was composed in 1975 and released on his album “American Stars ‘n Bars.” It received critical acclaim and reached number 8 on the Billboard Hot 100 chart.

For this song Neil Young used his trusty Gibson Les Paul Old Black guitar through a Fender Deluxe Reverb amplifier, producing the song’s signature gritty and soaring sound.

Chords used for “Like a Hurricane” are Am, G, F, Em C and Fmaj7. The song is played in Am with a 4/4 time signature and a tempo of around 85 BPM. The strumming pattern for the verses consists of powerful downstrokes with occasional upstrokes to match the song’s energy, while the chorus calls for full-force downstrokes to create that epic rock vibe.

Like a hurricane chords

Cortez the Killer

“Cortez the Killer” is a haunting masterpiece written by Neil Young in 1975, released on his album “Zuma.” The song showcases Young’s signature blend of poignant lyrics and intricate guitar work. On the charts, the song didn’t make a significant impact, but it remains a classic among Neil Young fans.

During the recording of “Cortez the Killer,” Neil Young used a Gibson Les Paul electric guitar, plugged into a tweed Fender Deluxe Reverb amp. The song featured a wide array of instruments, including drums, bass, and keyboards, along with Young’s mesmerizing guitar.

Chords used in “Cortez the Killer” (according to ultimate-guitar.com): Em, D and Am7 . The song is in the key of Em with a 4/4 time signature, and a tempo of approximately 66 BPM. The strumming pattern includes a mix of downstrokes and upstrokes to create a flowing and dynamic rhythm.

Cortez the killer

Old man

“Old Man” is a classic folk-rock song written by Neil Young in 1971, released on his album “Harvest.” The heartfelt lyrics were inspired by Young’s encounter with the caretaker of the ranch he had purchased in California. The song became a commercial success, reaching #31 on the Billboard Hot 100 and #4 on the Canadian RPM Top Singles chart.

During the recording of “Old Man,” Neil Young played a Martin D-45 acoustic guitar, which contributed to the warm and inviting sound of the song. Other instruments featured in the recording included bass, drums, piano, and harmonica, adding depth and texture to the arrangement.

Chords used in “Old Man” (according to ultimate-guitar.com): D, Dm7, Dsus4, F, C, G, Am7 and Em7. The song is in the key of D major, with a 4/4 time signature and a gentle tempo of around 82 BPM. The strumming pattern follows a laid-back down-up-down-up-down-up pattern.

Old man chords

Powderfinger

“Powderfinger” is a timeless masterpiece penned by Neil Young, released in 1979 on his album “Rust Never Sleeps.” This poignant song showcases Young’s songwriting prowess, depicting a haunting tale of regret and vulnerability. It climbed to the 61st spot on the Billboard Hot 100 chart.

Neil Young wielded his trusty Gibson Les Paul Old Black guitar on the recording. The song is played in the key of G major, with a 4/4 time signature and a tempo of around 98 BPM. The chord progression revolves around G, C, Bm and D chords. The strumming pattern involves a delicate mix of downstrokes and upstrokes, giving the song its distinctive rhythm.

Powder finger chords

After the Gold Rush

“After the Gold Rush,” written by Neil Young, was penned with poetic brilliance, released in 1970 as the title track of his album. This introspective song weaves intricate narratives, exploring themes of love and environmental concern. It reached the 22nd position on the Billboard Hot 100 chart.

An upright piano that belonged to Nils Lofgren and a French horn, played by Bill Peterson, were used on the original recording of the song.

“After the Gold Rush” is played in the key of D major, maintaining a 4/4 time signature with a gentle tempo around 75 BPM. The chords for the song are D, G, A, Bm and C. For the strumming pattern you can play soft downstrokes with a rhythmic up-down motion, mirroring the song’s contemplative piano rhythm.

After the gold rush chords

Rockin’ in the Free World

“Rockin’ in the Free World,” a Neil Young anthem etched with social commentary, emerged in 1989 from the album “Freedom.” Crafted through Young’s signature raw emotion, the song paints a vivid picture of societal challenges. It soared to the 2nd position on the Billboard Mainstream Rock chart.

For the recording Neil wielded his iconic Gibson Les Paul Old Black guitar, channeled through a Fender Deluxe Reverb amp fueling its rock energy.

The song is in the key of Em, maintaining a 4/4 time signature at a brisk tempo of approximately 146 BPM. The chords for the song are E5, D5, C5, Em, D, C, G and A. Channel the song’s vigor with a dynamic strumming pattern using power chords in the verses, following by a quick down-up motion using open chords in the chorus. Let your guitar roar and unleash with this great song.

Rockin in the free world chords

Down by the river

“Down by the River,” penned by Neil Young, flowed from his creative depths and was released in 1969 as part of the album “Everybody Knows This Is Nowhere.” This poignant song was marked by its introspective lyrics and extended guitar solos, capturing a sense of melancholic exploration. It left an imprint on the 37th spot of the Billboard Hot 100 chart.

For this song Neil opted for his Gibson Les Paul Old Black guitar, through a Fender Deluxe Reverb amp. The song’s emotive landscape was enriched by the harmonious blend of Young’s guitar, Ralph Molina’s drums, and Billy Talbot’s bass.

The song is in the key of Em, adhering to a 4/4 time signature with a steady tempo around 86 BPM. The chords are Em, Em7, Cmaj7, A, Bm, C, D and G repeating the following strumming pattern: down-down-down, down-up-down-up-down, down-up-down.

Down by the river chords

Harvest moon

“Harvest Moon,” a heartfelt creation by Neil Young, graced the world in 1992 as the title track of his album. Written with profound tenderness, with a beautiful acoustic guitar intro, the song evokes themes of love and connection. It landed warmly on the 36th spot of the Billboard Hot 100 chart.

Neil used his enchanting Gibson J-180 acoustic guitar during the recording. The song’s atmosphere was further elevated by the harmonious interplay of acoustic instruments, including pedal steel guitar and harmonica.

We’re playing the song in D major, using the chords D, D6, Dmaj7, Em7, G6, A7sus4, A7 and A maintaining a 4/4 time signature with a gentle tempo around 100 BPM. Capture the song’s intimate essence and simplicity with a straight forward down-down-up-up-down-up strumming pattern.

Harvest moon chords

Cinnamon Girl

“Cinnamon Girl,” emerged in 1969 as part of his album “Everybody Knows This Is Nowhere.” Written by Neil with raw energy, the song captivates with its gritty guitar riffs and distinct sound. It rocked its way onto the 55th position of the Billboard Hot 100 chart, leaving a lasting impact.

“Cinnamon Girl” resides in the key of D major using the chords D, Am, C, F, G and Gm maintaining a 4/4 time signature with a tempo around 132 BPM. The song combines a strong riff alternated with a open chord progression playing a down-down-up-up-down-up strumming pattern.

Cinnamon girl chords

Hey Hey, My My (Into the Black)

“Hey Hey, My My (Into the Black),” a Neil Young classic, was written with a touch of raw genius, released in 1979 as part of the album “Rust Never Sleeps.” This iconic song delves into the paradoxes of fame and artistic integrity. It made its mark as an enduring rock anthem and stands as a testament to Young’s lyrical prowess.

Young played his electric guitar through a nasty and filthy distortion to crank things up and giving the song a raw feel.

The song in the key of Am, playing the chords Am, F/A, G6, G, C and F adhering to a 4/4 time signature with a steady tempo around 95 BPM.

Hey, hey, my, my chords

Southern Man

“Southern Man,” emerged in 1970 as part of Neil’s album “After the Gold Rush.” Crafted with stark social commentary, the song addresses racial issues and southern history.

Not everyone was happy with Young’s message. The southern rock group Lynyrd Skynyrd believed that Neil Young was unjustly portraying and disrespecting the entire southern region. In reaction, they crafted their own track titled “Sweet Home Alabama.” Within this song, they sang “Well, I heard Mister Young sing about her / Well, I heard ole Neil put her down / Well, I hope Neil Young will remember / A Southern man don’t need him around anyhow.”

Venture into the musical terrain: “Southern Man” is rooted in the key of Dm, maintaining a 4/4 time signature at a moderate tempo of around 100 BPM. The chords for the song are: Dm – Bb – Gm – Fmaj7/C – G7 and A.

Southern man chords

The Needle and the Damage Done

“The Needle and the Damage Done,” was written by Neil Young, as a stark reflection on the consequences of drug addiction. The song was released in 1972 on the album “Harvest,” although it didn’t chart as a single, this acoustic ballad is a favorite among guitar players.

Neil Young’s Gibson Hummingbird acoustic guitar, accompanied by his evocative vocals, was recorded to capture the raw essence of “The Needle and the Damage Done.”

Now, let’s delve into the musical details: “The Needle and the Damage Done” is played in the key of D major, maintaining a 4/4 time signature with a gentle tempo around 95 BPM. Embrace the song’s heartfelt emotion with a delicate strumming pattern. The following chords are played in the song: D – C – Cadd9 – G – Gm – Bes – F – Esus4 and E.

The needle and the damage done chords

The needle and the damage done tabs

Ohio

“Ohio,” by Neil Young, emerged in 1970 as a response to the tragic events at Kent State University, capturing the fervor of anti-war protests. Released as a single, it reached the 14th position on the Billboard Hot 100 chart, magnifying its impact.

Neil Young’s trusty Les Paul Sunburst guitar, channeled through a Fender Deluxe Reverb amp, resonated powerfully during the recording of “Ohio.” The track’s sound was heightened by the emotive blend of Young’s unpolished raw guitar playing and David Crosby’s backing vocals.

Dive into the musical core: “Ohio” is rooted in the key of E minor, maintaining a 4/4 time signature with a tempo around 112 BPM. The chords for the song are: Dm – F – C – Gm.

Ohio chords

Only Love Can Break Your Heart

“Only Love Can Break Your Heart,” a soul-stirring creation by Neil Young from his album “After the Gold Rush.” is about vulnerability and heartache. It reached the 33rd position on the Billboard Hot 100 chart.

Neil Young’s Gibson Hummingbird acoustic guitar was tenderly recorded for “Only Love Can Break Your Heart,” complemented by the poignant interplay of his vocals and the subtle harmonies.

Venture into the musical landscape: “Only Love Can Break Your Heart” resides in the key of D major, maintaining a 6/8 time signature with a gentle tempo around 76 BPM. The chords for the song are: A7 – D – G – A – Dmaj7 – F#m – Em. For the strumming pattern you can play down-down-up-down-up following a 6/8 feel.

Only love can break your heart Chords

Helpless

“Helpless,” a poignant creation by Neil Young, emerged in 1969 as part of the Crosby, Stills, Nash & Young album “Déjà Vu.” Written with a sense of vulnerability, the song captures moments of introspection and longing. Although it didn’t chart as a single, it remains a soulful gem cherished by many.

“Helpless” is rooted in the key of D major, following an easy chord progression of three chords D , A and G. The song has a 4/4 time signature with a tempo around 86 BPM. You can play a relaxed rhythm strumming down(1-2)-down(3)-up(and)-down(4)-up(and), to set an introspective mood.

Helpless chords

Cowgirl in the Sand

“Cowgirl in the Sand,” is a mesmerizing Neil Young song from the 1969 album “Everybody Knows This Is Nowhere.” Written with poetic depth, the song captures a sense of longing and nostalgia.

Neil Young’s Gibson Les Paul Old Black guitar, paired with a Fender Deluxe Reverb amp, reverberated during the recording of “Cowgirl in the Sand.” The track’s atmospheric quality was enhanced by the interplay of Young’s guitar, Ralph Molina’s drums, and Billy Talbot’s bass.

Embark on the musical journey: “Cowgirl in the Sand” resides in the key of Am, maintaining a 4/4 time signature with a steady tempo around 84 BPM. The chords for Cowgirl in the sand are Am – F – C – G – Dm – Em – E7 – A – F#m – D – E – Bm – C#m and F#.

Cowgirl in the sand chords

On the beach

“On the Beach,” a beautiful Neil Young masterpiece, emerged in 1974 as the title track of his album. Crafted with introspective depth, the song delves into themes of personal reflection and societal disillusionment. It didn’t chart as a single but has garnered a loyal following for its contemplative resonance.

During the recording of “On the Beach,” Neil Young channeled his Gibson Les Paul Old Black guitar through a Fender Deluxe Reverb amp, capturing the song’s raw energy adding a slight distortion.

Embark on the musical journey: “On the Beach” resides in the key of A minor, maintaining a 4/4 time signature at a tempo around 100 BPM. To capture the song’s emotive essence, employ a strumming pattern that mirrors its introspection. The songs chords are Am7 – Am9 – Dm – Cmaj7 – Dm7 – Fmaj7.

On the beach chords

Long my you run

“Long May You Run,” penned by Neil Young, was born out of an ode to his cherished 1948 Buick Roadmaster hearse, an emblem of his relationship with bandmate Stephen Stills. Released in 1976 on the album of the same name, the song holds a bittersweet nostalgia for Young’s past companionship.

During the recording of “Long May You Run,” Neil Young harmonized his voice with an Ovation Adamas 12-string acoustic guitar, bringing a resonant quality to the track. The song’s warm timbre was further enhanced by the mix of drums, bass, and harmonica, painting a heartfelt musical picture.

Dive into the musical realm: “Long May You Run” is anchored in the key of D major, set to a 4/4 time signature with a tempo around 112 BPM. The chords for the song are D – A/D – G – Bm – A – Bm7 – Asus4 – Dsus4 – Bb – A7.

Long may you run chords

Walk on

“Walk On,” is a captivating song by Neil Young, from his 1974 album “On the Beach.” Written with resilience, the song reflects on moving forward despite challenges.

The song’s vibrant sound was enhanced by the blend of Young’s vocals, harmonica, and the ensemble’s harmonies.

Let’s delve into the musical intricacies: “Walk On” is rooted in the key of A major, maintaining a 4/4 time signature at a tempo around 124 BPM. To capture the song’s uplifting spirit, employ a strumming pattern that mirrors its steady feel and tempo. The chords progression for the verses are 1 bar “A major” and 1 bar “D major” playing it 8 times over. The chorus plays A – C#m – C#m – F# (3 times) and then E – D and and A – A9 – D, Amaj7 – Dmaj7 – D6 – D, ending the song with a beautiful simple guitar riff.

Walk on chords

What’s your favorite Neil Young song? Feel free to share your feedback in the comments below. I appreciate it.

Hi folks, today in this exciting endeavor, you’ll find a meticulously curated compilation of the top 20 best John Mellencamp guitar songs, including chords and tabs for each song.

If you are a guitar lover and a fan of classic rock, chances are you are well-acquainted with the indelible talent and revered artistry of John Mellencamp. I’m a huge fan myself. As a young kid my older brother inspired me to listen to all his records. I’m forever grateful.

Mellencamp is one of the most successful and influential American rock singers and songwriters of all time, with a career spanning over four decades and 24 studio albums.

His music is a blend of heartland rock, folk, blues, and country, and reflects his roots in Indiana and his social and political views. He has sold over 40 million albums worldwide, has been nominated for 13 Grammy Awards and is also a member of the Rock and Roll Hall of Fame and the Songwriters Hall of Fame.

In this list you will find songs with different levels of difficulty, from beginner to advanced. Whether you want to learn some easy strumming songs or some beautiful guitar intros, you will find something for you in this list.

To navigate this list, you can use the table of contents below to jump to any song you want. You can also click on the song title to open a new tab with the chords and tabs for that song.

For each song, we have provided some background information, such as the album, release date, lyrics info, and key and included some tips and tricks on how to play the song, such as the strumming pattern, the chord progression, the capo position, and guitar gear.

To practice these songs in the best way on your guitar, I recommend that you follow these steps:

• Listen to the original song several times to get familiar with the melody, rhythm, and structure.
• Take your time to read the chords and tabs thoroughly.
• Start with the easiest songs or the ones you like the most, and work your way up to the harder ones.
• Practice slowly and gradually increase your speed until you can play along with the song.
• Use a metronome or a backing track to keep your timing consistent and accurate.
• Sing along or hum the lyrics if you can to improve your ear and musicality.
• Have fun and enjoy playing the songs!

Without further ado, here is our list of the top 20 best John Mellencamp guitar songs (incl. chords and tabs).

Let’s rock!

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Jack & Diane

“Jack & Diane” is a classic John Mellencamp song released in 1982 on the album “American Fool.” It’s a nostalgic anthem about two young American teenagers and their dreams. Mellencamp wrote the song, inspired by a real-life couple he observed at a basketball game. The song reached number one on the Billboard Hot 100 chart in 1982.

The recording featured Mellencamp on vocals and rhythm guitar, Larry Crane on lead guitar, Toby Myers on bass and Kenny Aronoff on drums. For the recording a Gibson Les Paul Junior with a single P-90 pickup was used into a Fender Deluxe Reverb with a 12-inch speaker.

Guitar chords used in “Jack & Diane” are A, E, D and G. The song is in the key of A, with a 4/4 time signature and a tempo of approximately 116 BPM. The strumming pattern involves a combination of downstrokes and upstrokes, providing a steady rhythm throughout the song. To practice, start by mastering the chord changes and strumming pattern. Pay attention to the dynamics and add accents to highlight the chorus and bridge sections.

Jack and Diane Chords

Jack and Diane Tabs

Pink Houses

“Pink Houses” is a John Mellencamp song released in 1983 on his album “Uh-Huh.” The song serves as a commentary on the American Dream, highlighting the struggles and disillusionment faced by individuals in small-town America. Mellencamp wrote the song, drawing inspiration from his own experiences and observations of society.

During the recording of “Pink Houses,” John Mellencamp played an acoustic guitar while Mike Wanchic played an electric guitar. The song features a blend of both instruments to create a rich and layered sound. The specific guitar and amp used during the recording may vary, but Mellencamp is known for favoring vintage guitars like the Gibson J-45 and amplifiers such as the Fender Deluxe Reverb.

Chords used in “Pink Houses” are G, C, F and D. The song is in the key of G, with a 4/4 time signature and a tempo of approximately 126 BPM. The strumming pattern follows a classic rock rhythm, with downstrokes emphasized on the main beats and occasional upstrokes for added dynamics. You can play DUDU UDU (D=Down, U=Up).

Pink houses chords

Pink houses tabs

Small Town

“Small Town” is a heartfelt John Mellencamp song released in 1985 on his album “Scarecrow.” The song reflects on the simplicity, community, and struggles of growing up in a small town. Mellencamp co-wrote the song with George Green, and it resonates with listeners as a nostalgic anthem for small-town life.

During the recording of “Small Town,” John Mellencamp played an acoustic guitar, while Larry Crane played the electric guitar.

Chords used in “Small Town” (according to Ultimate Guitar) are D, G, C, Am, and Em. The song is in the key of B, with a 4/4 time signature and a tempo of approximately 118 BPM. For the strumming pattern you play D-D-DU-DU (D=Down, U=Up), counting 1 – 2 – 3and-4and with each measure.

Small town chords

Hurts so good

“Hurts So Good” is an energetic rock song by John Mellencamp, released in 1982 on his album “American Fool.” The song explores the theme of love’s bittersweet nature, highlighting the addictive and conflicting emotions that come with being in a passionate relationship. Mellencamp co-wrote the song with George Green, infusing it with his signature heartland rock sound.

During the recording of “Hurts So Good,” John Mellencamp played an electric guitar, while Lary Crane and Mike Wanchic contributed additional guitar work. Larry Crane used Marshall amps with an Altair Attenuator and Mike Wanchic, used mainly an old ’62 AC30 and Fender Bassmans in the studio.

Chords used in “Hurts So Good” are A, E, F#m, D . The song is in the key of A, with a 4/4 time signature and a tempo of approximately 135 BPM. For the strumming pattern you can play a straightforward D-DU-U-DU (D=Down, U=Up), counting 1-2and-(3)and-4and. (skip playing the 3 and strum up on the And). To practice, focus on nailing the chord changes, maintaining a tight and energetic rhythm, and incorporating some palm muting for a punchier sound.

Hurts so good chords and tabs

Lonely Ol’ Night

“Lonely Ol’ Night” is a heartfelt rock song by John Mellencamp, released in 1985 on his album “Scarecrow.” The song delves into the theme of loneliness and longing for connection, capturing the essence of late nights filled with solitude. Mellencamp co-wrote the song with George Green, infusing it with his signature blend of rock and roots influences.

During the recording of “Lonely Ol’ Night,” John Mellencamp played a Fender telecaster, while Larry Crane contributed additional guitar work. The song features a dynamic guitar sound with a mix of clean and slightly overdriven tones, adding depth to its emotional resonance.

Chords used in “Lonely Ol’ Night” are E, Esus4, A, Asus4 and D. The song is in the key of E, with a 4/4 time signature and a tempo of approximately 123 BPM. For the strumming you can play any 4/4 rhythm pattern like the standard DDUUDU and variations of this, also accenting for added dynamics.

Lonely Ol’ night chords

Cherry Bomb

“Cherry Bomb” is an energetic rock song by John Mellencamp, released in 1987 on his album “The Lonesome Jubilee.” Mellencamp wrote the song, infusing it with his signature blend of rock, folk, and country influences. The song was inspired by the teen clubs that Mellencamp used to go to in Indiana in the 1960s.

For the album The Lonesome Jubilee and the song”Cherry Bomb” Mellencamp used a variety of different instruments like dobro, autoharp, banjo, violin and accordion which gives the songs an enormous rich and full sound. He also used four extra vocalists: Crystal Taliefero, Toby Meyers, Mike Wanchic and Pat Peterson.

Chords used in “Cherry Bomb” (according to Ultimate Guitar) are G, Am, Em, Bm, C and C/D. The song is in the key of G, with a 4/4 time signature and a tempo of approximately 134 BPM. The strumming pattern for the song is D-DU-D-DU, counting 1-2and-3-4and.

Cherry Bomb chords

R.O.C.K. in the U.S.A.

“R.O.C.K. in the USA” is an upbeat rock anthem by John Mellencamp, released in 1986 on his album “Scarecrow.” The song s a tribute to 60s rock and was inspired by several artists that influenced Mellencamp such as Martha Reeves, Mitch Ryder and James Brown.

During the recording of “R.O.C.K. in the USA,” John Mellencamp played electric guitar, while Larry Crane contributed additional guitar work. The song also features prominent drums, bass, keyboards, and backing vocals, creating a full and energetic sound.

Chords used in “R.O.C.K. in the USA” are E, A, D, and B. The song is in the key of E, with a 4/4 time signature and a tempo of approximately 150 BPM. The strumming pattern for the song is D-DU-DU-DU-U-DU-U-DU, counting: 1-2and-3and-4and-(5)and-6and,(7)and,8and. Skipping the 5 and the 7 and strumming up on the “and”.

R.O.C.K. in the USA chords

Crumblin’ Down

“Crumblin’ Down” is a gritty rock song by John Mellencamp, released in 1983 on his album “Uh-Huh.” The song addresses the theme of societal and personal decay, expressing frustration with the state of the world. Mellencamp wrote the song, infusing it with a rebellious spirit and powerful guitar-driven sound.

Chords used in “Crumblin’ Down” are A, G/A, E, G and D. The song is in the key of D, with a 4/4 time signature and a tempo of approximately 146 BPM. The song starts with a cool chord riff that continues into the verse. See chords and tabs.

Crumblin’ down chords and tabs

Rain on the Scarecrow

“Scarecrow” is a heartfelt anthem written by John Mellencamp, released in 1985 on his album of the same name. The song delves into the struggles of the working class, painting a vivid picture of small-town America. “Scarecrow” reached #2 on the Billboard Mainstream Rock Tracks chart and #7 on the Billboard Hot 100.

During the recording of “Scarecrow,” John Mellencamp played a Fender Telecaster through a Fender Deluxe Reverb amplifier. The song features a variety of instruments, including drums, bass, keyboards, and acoustic guitar, creating a rich and energetic sound.

Chords used in “Scarecrow” are Em, G, D, and C using the capo on the 2nd fret. The song is in the key of F#m, with a 4/4 time signature and a tempo of approximately 120 BPM. The strumming pattern for the song is a steady down-up strumming style, emphasizing the strong beats to maintain a driving rhythm.

The riff in the intro and throughout the song is a really cool feature the practice and play.

Rain on the scarecrow chords (easy)

Rain on the scarecrow Tabs + Chords (intermediate)

Paper in Fire

“Paper in Fire” is a politically charged song written by John Mellencamp, released in 1987 on his album “The Lonesome Jubilee.” The song tackles the themes of disillusionment and the destructive nature of greed. “Paper in Fire” peaked at #9 on the Billboard Hot 100.

John Mellencamp played a Gibson Les Paul through a Vox AC30 amplifier during the recording.

Chords used in “Paper in Fire” are: B7, E/B, B5, A, E and D, with a 4/4 time signature and a tempo of around 142 BPM. The strumming pattern for the verses is a steady down-up strumming pattern, while the chorus has a more driving and aggressive down-down-up pattern.

Paper in fire chords

Authority Song

“Authority Song” was released in 1983 on his album “Uh-Huh,” the song is an expression of rebellion and the desire to break free from societal norms and reached #15 on the Billboard Hot 100.

During the recording of “Authority Song,” John Mellencamp played a Gibson ES-335 through a Fender Twin Reverb amplifier. The song features a dynamic arrangement with instruments like drums, bass, electric guitar, and piano.

Chords used in “Authority Song” D, G and A. The song is in the key of D, with a 4/4 time signature and a tempo of around 130 BPM. The strumming pattern for the song is a driving down-downup-down-downup pattern, counting 1-2and-3-4and.

Authority song chords

Check It Out

“Check It Out” is a catchy rock song written by John Mellencamp. Released in 1987 on his album “The Lonesome Jubilee,” the song reflects on the struggles and complexities of relationships. “Check It Out” peaked at #14 on the Billboard Hot 100, showcasing Mellencamp’s ability to craft relatable and melodic tunes.

During the recording of “Check It Out,” John Mellencamp played a Fender Stratocaster through a Vox AC30 amplifier. The song features a range of instruments including drums, bass, organ, and accordion, creating a textured and lively sound that complements Mellencamp’s emotive vocals.

Chords used in “Check It Out” are: C – G – Gsus4 – F – G/B – Cadd9 – Em7 – Am – D. The song is in the key of C, with a 4/4 time signature and a tempo of approximately 130 BPM. The strumming pattern for the verses is a relaxed down-down-up pattern, while the chorus has a more driving down-up-down pattern.

Check it out chords

Play guitar

“Play Guitar” is an upbeat rock song written by John Mellencamp. Released in 1983 on his album “Uh-Huh,” the song is a satire of the rock star culture and the idea that playing guitar can make you attractive to women. Mellencamp wrote the song as a way of expressing his frustration with the music industry and his desire to make music on his own terms. Although it didn’t chart as a single, it remains a fan favorite.

Chords used in “Play Guitar” are A, D and G. The song is in the key of A, with a 4/4 time signature and a tempo of around 130 BPM. The strumming pattern for the song is a steady down-down-up pattern, emphasizing the strong beats to maintain a lively and driving rhythm pattern.

Practice with a metronome or a drum beat / loop to ensure steady timing and become a tight guitar player.

Play guitar chords

I Need a Lover

“I Need a Lover” was released in 1979 on his album “John Cougar,” the song portrays the longing for a passionate and fulfilling romantic connection.

The guitar intro is an iconic and instantly recognizable part of the song which lasts for about two minutes before the vocals start. The intro consists of a main riff that is played three times in different keys followed by a variation of the riff that is also played in different keys. The riff is based on a pentatonic scale and uses hammer-ons, pull-offs, slides, some guitar fills and solos that add some variation and excitement. The intro is played by Mellencamp and his guitarist Larry Crane, who also co-wrote the song with him.

Chords used in “I Need a Lover” are F#, C#, B, D, A, G. The main key of the song is A, with a 4/4 time signature and a tempo of approximately 138 BPM. The strumming pattern for the song can be played as down-down-up-up-down-up.

I need a lover chords

I need a lover tabs

Key West Intermezzo (I Saw You First)

“Key West Intermezzo (I Saw You First)” is a vibrant rock song written by Mellencamp and his longtime friend and collaborator George Green, who also worked on songs like “Hurts So Good” and “Crumblin’ Down”. The song was released in 1996 on his album “Mr. Happy Go Lucky,” and captures the excitement and allure of a chance encounter in Key West, Florida. “Key West Intermezzo” reached #14 on the Billboard Hot 100, making it Mellencamp’s final top-40 hit in the US.

Chords used in “Key West Intermezzo”are G, D, C, Am and D/G, tuning a half step down. The song is in the key of G, with a 4/4 time signature and a tempo of around 120 BPM. The strumming pattern for the song can be played as down-down-up, counting 1-2and-3-4and.

The song has also a catchy guitar intro played by two guitars: one plays a melodic riff that slides up and down the fretboard, while the other plays chords that follow the progression of G-D-C.

Key West Intermezzo chords and tabs

Human Wheels

“Human Wheels” is a heartfelt rock ballad that delves into the complexities of human existence and the pursuit of individual identity. It was written by John Mellencamp and George Green and released in 1993 as the title track of his album “Human Wheels.” The song peaked at number 48 on the Billboard Hot 100 chart. The song was also covered by Amy Grant for her 2005 album Rock of Ages…Hymns and Faith.

During the recording of “Human Wheels,” John Mellencamp used a Gibson Les Paul guitar and a Fender Deluxe Reverb amp.

Chords used in “Human Wheels” (according to Ultimate Guitar): G, C, D, Em, D/F#. The song is in Em, with a 4/4 time signature and a tempo of approximately 80 BPM. The strumming pattern for the verses and chorus consists of alternating downstrokes and upstrokes: down, down-up, down, up, down, up, counting 1-2and-3and-4and. Experiment with different embellishments and variations to make the song your own.

Human wheels chords

Wild Night” (with Meshell Ndegeocello)

“Wild Night” was written by Van Morrison and first released in 1971 on his album “Tupelo Honey.” Mellencamp covered the song with Meshell Ndegeocelloand on bass and vocals and released their version in 1994, reaching number three on the Billboard Hot 100 chart. For the song John Mellencamp used a Fender Stratocaster guitar and a Fender Twin Reverb amp.

Chords used in “Wild Night” (according to Ultimate Guitar): Em, G, C and D. The song is in the key of E minor, with a 4/4 time signature and a tempo of approximately 118 BPM. The strumming pattern for the verses and chorus follows a rhythmic down-up-down-up pattern.

To practice “Wild Night,” start by familiarizing yourself with the chord progression and the strumming pattern. Focus on maintaining a consistent rhythm and incorporating the song’s energetic spirit into your playing. Experiment with adding fills and embellishments to make the song more dynamic. Pay attention to the transitions between the chords for smooth and seamless changes. Finally, listen to the original recording and other live performances to capture the essence and feel of the song.

Wild night chords

Weakest moments

“Weakest Moments” was written by John Mellencamp and released in 1982 as the closing track of his fifth studio album American Fool. It is a slow and melancholic ballad, with lyrics that express vulnerability and self-doubt. The song feats Mellencamp on vocals and acoustic guitar, George Perry on bass, Kenny Aronoff on drums, Larry Can and Mike Wanchic on electric guitar.

The song was produced by Mellencamp and Don Gehman, who also engineered the album. The song was not released as a single, but it has been praised by critics and fans as one of Mellencamp’s most emotional and honest songs. In a 2007 review of American Fool, Rolling Stone magazine called it “a stunningly beautiful ballad”.

Chords used in “Weakest Moments” (according to Ultimate Guitar): A, Dsus2, A7sus2, G6, D, E, F#m and G. The song is in the key of A major, with a 4/4 time signature and a tempo of approximately 75 BPM. The strumming pattern for the verses and chorus consists of gentle downstrokes, emphasizing the emotions of the lyrics. Use a delicate touch to allow the chords to ring out and create a sense of intimacy.

Weakest moments chords

Minutes to memories

Minutes to Memories is a song by John Mellencamp, released in 1985 as the fourth track of his eighth studio album Scarecrow. It is a folk rock song that tells the story of a young songwriter who meets an old man on a bus and learns from his life experiences and advice. The song was co-written by Mellencamp and George Michael Green and produced by Mellencamp and Don Gehman. Minutes to Memories reached number 14 on the Billboard Hot 100 chart.

During the recording of “Minutes to Memories,” John Mellencamp used a Gibson J-200 acoustic guitar and a Fender Twin Reverb amp.

Chords used in “Minutes to Memories” are D, Cadd9, Dadd2, A and G using the capo on the 2nd fret. The song has a 4/4 time signature and a tempo of approximately 120 BPM. The strumming pattern for the verses and chorus follows a rhythmic down-up-down-up pattern.

Minutes to memories chords and tabs

Rumbleseat

Rumbleseat is a song by John Mellencamp, released in 1986 as the second single from his eighth studio album Scarecrow, it is a rockabilly song that describes the life of a poor and restless man who rides in the rumble seat of a car. The song was written by Mellencamp and features him on vocals and guitar, Larry Crane and Mike Wanchic on guitars, John Cascella on keyboards, Toby Myers on bass, and Kenny Aronoff on drums.

Chords used in “Rumbleseat” are E, A and B, using the capo on the 1st fret. The song is in the key of E major, with a 4/4 time signature and a tempo of approximately 150 BPM. The strumming pattern for the verses and chorus follows a down-up-down-up-down-up-down-up pattern counting 1and-2and-3and-4and.

Rumbleseat chords

Rumbleseat tabs

Check out the official chords and Tabs in the John Mellencamp Guitar Collection

I hope you enjoyed this list of the top 20 best John Mellencamp guitar songs, and learned some new songs and riffs. John Mellencamp’ songs are great for improving your classic rock guitar skills and have fun along the way.

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Thank you for reading and happy playing!

I

Welcome to the ultimate compilation of the “Best Bruce Springsteen Guitar Songs” including Chords and Tabs! The legendary rock ‘n’ roll icon, has gifted us with an impressive catalog of music that showcases his remarkable songwriting and guitar work.

Whether you’re a die-hard fan or new to his music, this list is designed to guide you through some of the most iconic songs. From easy beginner songs to more intermediate level, it’s all here for you to enjoy and improve your guitar game.

To make the most of this list, start by listening to each song on the list, immersing yourself in the melodies, lyrics, and the guitar parts. Pay attention to the different techniques and styles Springsteen incorporates in his playing, from energetic rock riffs to soulful acoustic strumming.

Once you’ve familiarized yourself with the songs, it’s time to make yourself a hot cappuccino or a hot cup of green tea, which both have real great health benefits in their own unique way :)

Now pick a few songs to practice. Choose songs that resonate with you personally or those you’ve always wanted to learn. Rather than attempting to tackle all 20 songs at once, select a handful that align with your skill level and interests. This approach allows you to focus your practice and truly master the songs you choose.

Have a blast!

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Born to Run

“Born to Run” is an iconic rock anthem by Bruce Springsteen, released in 1975 on the album of the same name. During the recording of the song Springsteen used a Fender Esquire guitar and a Fender Deluxe Reverb amplifier.

The combination of the Esquire’s single-coil pickups and the warm, tube-driven tones of the Deluxe Reverb contributed to the powerful and dynamic sound heard on the track.

The song is in the key of E major and follows a 4/4 time signature with a tempo of approximately 148 BPM. The song’s chord progression starts out with E – A – B and follows with some sus4 chords and slash chords accompanied by a distinctive and energetic song riff.

The strumming pattern can be played as: down-down-up-up-down-up, and occasional accents to capture the driving rhythm of the song.

Born to run Chords and Tabs

Born to run original Chords and Tabs

Thunder Road

Thunder Road is written by Bruce Springsteen and released in 1975 on the album “Born to Run,” “Thunder Road” is a heartfelt song about redemption, choices, and embarking on a journey toward a better future.

The song is in the key of F major and played in a 4/4 time signature with a tempo of 123 BPM. The chord progression centers around F, C, G, and D, with variations and inversions. The strumming pattern for is a classic and steady down-up pattern. It can be described as follows: D D U U D U The mond harmonica intro and sax solo in the middle of the song can also be played with a beautiful lead guitar solo.

Thunderroad Chords

Dancing in the dark

“Dancing in the Dark,” was released in 1984 as a single and peaked at number 2 on the US Billboard Hot 100 chart and spent 26 weeks on the chart. The song explores the themes of frustration, longing for connection, and ultimately finding joy in breaking free through dancing.

The song is in the key of D and follows a 4/4 time signature at a tempo of around 148 BPM. The song primarily utilizes the chords A, D, and E, with variations and transitions. While the song features a catchy synthesizer riff, on guitar, you can emulate it by playing the main chord progression with added embellishments and fills.

Dancing in the dark chords

The river

The River” is a poignant ballad by Bruce Springsteen, released in 1980 on the album of the same name. The song reflects on the struggles of working-class individuals and explores themes of love, dreams, and the passage of time.

“The River” follows a chord progression of G, C, D, and Em, with variations and transitions. The song is played in the key of G major, in a 4/4 time signature. With a tempo of around 80 BPM, the strumming pattern for “The River” can be described as a gentle down-down-up-up-down-up rhythm.

While the song doesn’t have a distinct guitar riff, you can add depth by incorporating arpeggios or fingerpicking patterns.

The River Chords

Badlands

“Badlands” is an energetic rock anthem by Bruce Springsteen, released in 1978 on the album “Darkness on the Edge of Town.” and reached #42 on the Billboard Hot 100 chart. The song captures a sense of defiance and determination, inspiring listeners to overcome obstacles and seize opportunities.

“Badlands” features a driving chord progression of G, D, C, and F. The song is played in the key of G major, in a 4/4 time signature. With a tempo of 145 BPM, the strumming pattern can be played with a common down-down-up-up-down-up rhythm, emphasizing the strong beats.

Additionally, “Badlands” boasts a memorable guitar riff characterized by fast-paced single-note runs, which you can practice using alternate picking techniques.

Badland chords

Jungle Land

Jungleland” is an epic song by Bruce Springsteen, released in 1975 on the album “Born to Run.” For this song Springsteen used a Fender Telecaster guitar and a Fender Deluxe Reverb amp to achieve his signature tone.The lyrics tells a vivid story of street life, love, and dreams, with a cinematic quality that takes the listener on a musical journey.

The song features 16 different chords throughout the song and is played in the key of C. The tempo is around 68 BPM, and follows a 4/4 strumming pattern. Additionally, “Jungleland” showcases a beautiful saxophone solo that just as well can be played as a lead guitar riff ;)

Jungleland Chords and Tabs

Streets of Philadelphia

“Streets of Philadelphia” is a poignant song written and performed by Bruce Springsteen for the film “Philadelphia” in 1993, it reached #9 on the Billboard Hot 100 chart.The song captures the isolation and longing of a person navigating the challenging streets of the city, while also conveying a sense of resilience and hope.

For the recording of “Streets of Philadelphia,” Bruce Springsteen used an acoustic guitar, specifically a Martin HD-28, to create the intimate and delicate sound of the song.

The song is in the key of F and uses the chords F, Am, Bb, C, D, Dm, F#m, G and A. It follows a 4/4 time signature, and has a tempo of around 58 BPM.

The strumming pattern for the song can be a gentle down-up-down-up-down-up rhythm. Use the chords and strumming pattern as a foundation, and feel free to add your own embellishments and nuances to make the song your own.

Remember to listen to the original recording for reference and to immerse yourself in the introspective atmosphere of “Streets of Philadelphia.”

Streets of Philadelphia Chords

Born in the U.S.A.

Born in the U.S.A.” is a patriotic and politically charged song written by Bruce Springsteen. Released in 1984 on the album of the same name, the song tackles themes of the Vietnam War, the struggles of working-class Americans, and the disillusionment faced by veterans returning home.

During the recording of “Born in the U.S.A.,” Bruce Springsteen used a Fender Telecaster guitar, specifically a modified Esquire, along with a Fender Deluxe Reverb amplifier to get that gritty and energetic guitar tone heard on the track.

The chords for the song are B5 and E5, but can also be played easy with A and D using the capo on the 2nd fret. The song is in the key of B major, follows a 4/4 time signature, and has a tempo of around 122 BPM. The strumming pattern for the song can be a driving [down]-[down]-[down]-[down up], counting [1]-[2]-[3]-[4&].

“Born in the U.S.A.” features a memorable guitar riff that opens the song, characterized by its simple but catchy melody. As you play, pay attention to the dynamics and the explosive moments in the song, experiment with different strumming variations and add your own flair to make the song come alive on the guitar.

Born in the U.S.A. Chords

Atlantic City

Atlantic City” is a haunting and introspective song written by Bruce Springsteen in 1982 and released on the album “Nebraska” in the same year, featuring a stripped-down acoustic sound recorded with a Martin D-18 that captures the raw emotions. It explores themes of economic hardship, desperation, and the pursuit of the American Dream.

The chords used in “Atlantic City” are Em, G, C and D using the capo on the 2nd fret. The song follows a 4/4 time signature, and has a moderate tempo of around 94 BPM. The strumming pattern can be a gentle down-up-down-up motion, emphasizing the steady rhythm of the song.

Atlantic City chords

I’m on fire

“I’m on Fire” was written in 1982 and released on the album “Born in the U.S.A.” in 1984, showcasing a more subdued and intimate side of Springsteen’s songwriting. Th song is about desire and longing, with Springsteen’s vocals conveying a sense of quiet intensity.

During the recording of “I’m on Fire,” Bruce Springsteen used a Fender Esquire electric guitar, known for its bright and twangy tone.

The chords used in “I’m on Fire” are E, A, B7, and C#m. The song is in the key of E major, follows a 4/4 time signature, and has a slow tempo of around 84 BPM. The strumming pattern can be played with a gentle down-up-down-up motion, counting 1 & 2 & 3 & 4 &.

Focus on playing the chords smoothly and cleanly, allowing the song’s intimate atmosphere to shine through.

I’m on fire chords

Racing in the street

“Racing in the Street” tells the story of a man consumed by the fast-paced world of street racing and the empty void it leaves in his life. The song was written by Springsteen and released in 1978 on the album “Darkness on the Edge of Town,” showcasing Springsteen’s narrative songwriting style and emotional depth.

For the recording of “Racing in the Street,” Bruce used a Fender Telecaster electric guitar. The guitar was likely plugged into a Fender Twin Reverb amplifier, providing a clean and rich sound. The song was recorded in 1977 at the Record Plant in New York City. While it was not released as a single, “Racing in the Street” has become a fan favorite and a staple of Springsteen’s live performances.

The chords for “Racing in the Street” are C – F – Dm played with the cap on the 5th fret or you can played it originally with the chords D – G – Em with the capo on the 3rd fret. The song is in the key of F major, follows a 4/4 time signature, and has a tempo of 94 BPM. The strumming pattern can be a soft down-down-up-up-down-up motion, allowing the lyrics to take center stage and keeping the guitar on the background.

Racing in the street chords

Backstreets

Backstreets” is a heartfelt and introspective song written by Bruce Springsteen. The song was recorded in 1974 at the Record Plant in New York City where Springsteen primarily used a Fender Telecaster during the recording and it was released in 1975 on his iconic album “Born to Run.”

The chords used in “Backstreets” are G, Em, D, C, Am, F#m and B7 The song is in the key of G major, follows a 4/4 time signature at 110 BPM. The strumming pattern can be a combination of downstrokes and upstrokes, emphasizing the driving rhythm and accentuating the emotional intensity of the lyrics.

Take your time to learn the chord progression thoroughly paying attention to the articulation and dynamics as you play the song.

Backstreet chords

Tenth Avenue Freeze-Out

“Tenth Avenue Freeze-Out” is a lively and soulful track by Bruce Springsteen that tells the story of the formation of his legendary E Street Band. Springsteen wrote the song as a tribute to his bandmates and their journey in the music industry. It was released in 1975 on the album “Born to Run.”

The song reached number 83 on the Billboard Hot 100 and it has since become a beloved staple of Springsteen’s live performances.

Chords used in “Tenth Avenue Freeze-Out” according to Ultimate Guitar are F, D, Bb, Gm, C and D. The time signature is 4/4, and the tempo is around 130 BPM. The strumming pattern consists of a steady down-up motion throughout the song.

Tenth Avenue Freeze-out chords

Hungry heart

Hungry Heart” is a catchy and upbeat song by Bruce Springsteen that tells the story of a restless and yearning protagonist seeking love and adventure. Springsteen wrote the song and it was released in 1980 on the album “The River.” On the charts, “Hungry Heart” became one of Springsteen’s biggest hits, reaching number 5 on the Billboard Hot 100.

“Hungry Heart” uses simple chords C – Am – Dm7 – G7 using the capo on the 1st fret. Later on the song modulates to the chord progression Eb – Cm – Fm – Bb. The key of the song is C# major, the time signature is 4/4, played at 140 BPM. The strumming pattern follows a straightforward down-up-down-up-down-up-down-up, counting 1-and-2-and-3-and-4-and. You can also experiment with adding rhythmic variations, such as palm muting or accentuating certain beats, to make your playing more dynamic and engaging.

Hungry heart chords

Brilliant Disguise

“Brilliant Disguise” is an introspective and emotionally charged song by Bruce Springsteen. Written by Springsteen himself, it was released in 1987 as part of the album “Tunnel of Love.” The song reached number 5 on the Billboard Hot 100 and became a significant hit for Springsteen.

The chords for “Brilliant Disguise” are A, Asus2, Asus4, E, Esus2, F#m and D. The key of the song is A major, the time signature is 4/4, and the tempo is around 72 BPM. The strumming pattern can be played with solely downstrokes in eight notes maintaining a steady pace.

Brilliant disguise chords

Nebraska

“Nebraska” is a ballad written by Bruce Springsteen. Released in 1982 on the album of the same name, the song tells the chilling story of Charles Starkweather, a real-life spree killer. It was recorded using a Gibson J-45 acoustic guitar and a Fender Deluxe Reverb amp. Although not released as a single, the “Nebraska” album reached number three on the Billboard 200 chart.

The chords used in “Nebraska” are A, E, D, G, and Bm. The song is in the key of A major, in a 4/4 time signature with a tempo of 80 BPM. The strumming pattern follows a steady downstroke on each beat, emphasizing the song’s somber atmosphere. To practice this song effectively, focus on mastering the chord changes and maintaining a consistent rhythm.

Nebraska chords

Prove it all night

“Prove It All Night” is a spirited rock anthem written by Bruce Springsteen. The song was released in 1978 on the album “Darkness on the Edge of Town,Springsteen recorded the track using a Fender Telecaster guitar and a Vox AC30 amplifier. The recording features a powerful guitar solo and energetic instrumentation. Although it didn’t chart as a single, the “Darkness on the Edge of Town” album reached number five on the Billboard 200 chart.

The chords for the song are D, E, A, Bm, F#m, and C#m. The song is in the key of A major, in a 4/4 time signature with a tempo of 144 BPM. The strumming pattern starts with a downstroke followed by two quick upstrokes, and then another downstroke. It can be notated as DUD-D. Experiment with accenting certain beats and infusing your playing with Springsteen’s passionate spirit ;)

Prove it all night chords

The Ghost of Tom Joad

“The Ghost of Tom Joad” is a powerful folk-rock song written by Bruce Springsteen. Released in 1995 as the title track of his album, it addresses the struggles of working-class Americans and draws inspiration from John Steinbeck’s novel “The Grapes of Wrath.” Although it didn’t make a significant impact on the charts, the album received critical acclaim for its social commentary.

The chords used in “The Ghost of Tom Joad” are Am, Am/G, C, F, G, E, A, D and B. The song is in the key of A minor, in a 4/4 time signature with a tempo of 86 BPM. The strumming pattern follows a downstroke on each beat with occasional upstrokes to add dynamics. It can be notated as D-DU-DU. To practice this song, focus on mastering the chord changes, maintaining a steady rhythm, and capturing the song’s emotional depth through expressive strumming.

The ghost of Tom Joad

No Surrender

“No Surrender” is an uplifting rock anthem written by Bruce Springsteen. Released in 1984 on his album “Born in the U.S.A.,” he wrote it as a tribute to the enduring spirit of rock and roll. The recording features a Rickenbacker 12-string guitar and a Fender Deluxe Reverb amp. “No Surrender” reached number 29 on the Billboard Hot 100 chart, becoming a fan favorite at live performances.

The chords used in “No Surrender” are D, G, A, F, C and Bb. The song is in the key of D major, in a 4/4 time signature with a tempo of 147 BPM. The strumming pattern involves a combination of downstrokes and upstrokes, it can be notated as D-DU-UDU.

No surrender

The Rising

“The Rising” is a heartfelt song written by Bruce Springsteen. Released in 2002 as the title track of his album, it serves as a tribute to the victims and heroes of the September 11 attacks. The song was written as a message of resilience and hope in the face of tragedy.

Springsteen recorded it using a Fender Telecaster guitar and a Vox AC30 amplifier, capturing the song’s emotional intensity. “The Rising” peaked at number 52 on the Billboard Hot 100 chart.

The chords used in “The Rising” are C, G, D, and Em with capo on the 3rd fret. The song is in the key of D major, in a 4/4 time signature with a tempo of 72 BPM. The strumming pattern consists of mainly downstrokes, with occasional upstrokes for added dynamics. It can be notated as D-D-D-DU, counting 1 – 2 – 3 – 4 and.

The rising chords

Conclusion

As we reach the end of our journey through the Top 20 Best Bruce Springsteen songs and how to practice them, remember that the true magic lies in capturing the essence of Springsteen’s music. It’s about finding your own voice within his heartfelt lyrics and infectious melodies.

So, keep strumming, keep practicing, and you’ll soon be rocking the stage like The Boss himself. Chase your musical dreams and never stop believing in the magic of Springsteen’s songs. Let the music continue to inspire and uplift your soul.

Rock on!

Let me know your favorite Bruce Springsteen song in the comments below. I’d love to hear it.

Check out the official chords and Tabs in the “Bruce Springsteen – Guitar Anthology Series”

Hi Folks, as a guitar student and musician you need to learn your Tom Petty songs and for a good reason!

Tom was a great American singer-songwriter who left an indelible mark on the world of rock music.

With his distinctive raspy voice and catchy songwriting, he became known for his ability to blend elements of rock, folk, and Americana, creating a unique and timeless sound.

In 1976, he gained widespread recognition with his band, Tom Petty and the Heartbreakers and later as a solo artist creating the iconic album “Full moon fever” produced by Jeff Lynne, and went on to release a string of great albums and hits.

Tragically, Tom passed away on October 2, 2017, leaving behind a profound influence on generations of musicians.

Luckily his songs are left for us to play, to study, to practice and enjoy. Tom Petty’s songs are a really good source to develop all the different skills you need as a guitar player from common chords and progressions, embellishments, catchy riffs, licks, and great song writing.

In this carefully curated list, you can find the cream of the crop from Petty’s extensive catalog, from the infectious hooks of “Free Fallin'” to the anthemic power of “American girl,” each song offers a unique opportunity to dive deep into Petty’s signature guitar style.

So grab your favorite six-string, make yourself some good coffee and let’s explore the magic of Tom Petty’s guitar-driven classics. Each title contains a link to Youtube and a link to the chords / Tabs and lyrics for the song.

Enjoy your practice and have a great one!

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1 – “Free Fallin’

“Free Fallin’ was written by Tom Petty and Jeff Lynne for the album “Full moon fever” and was released in 1989. The song was recorded in just two days and used a multitude of acoustic guitar to create that incredible dreamy sound. 

It’s a nostalgic song about personal freedom and embracing life’s journey. It encourages you to let go and enjoy the ride, capturing the essence of self-discovery and adventure.

The song is in the key of F major and can be played as a beginner-friendly version by playing it with the capo on the 3rd fret following the chords D – G – D – A (sus4) throughout the entire song.

Free falling chords

2 – “I Won’t Back Down”

This song is an empowering anthem, released in 1989, and embodies resilience and determination. It’s a reminder to stay true to yourself and stand strong in the face of adversity.

With basic open chords like Em , D, G and C “I Won’t Back Down” is approachable for beginner guitarists. The song follows a verse-chorus structure, making it easy to learn and perform.

I won’t back down chords

3 – “American Girl”

“American Girl” is a classic rock song that captures the spirit of youthful rebellion and American dreams. The songs was released for their self-titled debut album in 1976 and tells the story of a young woman’s experiences and embodies the essence of rock ‘n’ roll energy.

The progression incorporates basic open chords like D, E7, G, and A. The song follows a verse-chorus-bridge-chorus structure, giving you the chance to practice chord progressions and transitions. The melody and rhythm allows for energetic strumming.

American girl chords + TABS

4. “Learning to Fly”

Learning to Fly” is a reflective song about personal growth and taking risks. It encourages listeners to embrace life’s challenges and soar to new heights.

The chords for the song include F, C, Am and G offering opportunities for intermediate players to develop their barre chord technique or you could play it just as easy with open chords.

Learning to fly chords

5. “Mary Jane’s Last Dance”

This haunting and mysterious song, released in 1993, tells a story of lost love and farewell. It explores themes of obsession and bidding farewell to a past romance.

“Mary Jane’s Last Dance” incorporates chords like Am, G, and Dsus2, Em7 and A providing an opportunity to practice finger positioning and transitions. The melody, based on the A minor scale, creates a moody atmosphere, allowing for expressive strumming and vocal interpretations.

Mary Jane’s last dance chords + TABS

6. “Breakdown”

“Breakdown” is a catchy rock song that delves into themes of heartbreak and vulnerability. The song was released in 1976 for the self-titled album “Tom Petty and the Heartbreakers” and it tells the story of a relationship falling apart and the protagonist’s struggle to cope with the emotional turmoil.

The easy chords for this song are perfect for beginners. The song contains the chords Am – G – Fmaj7 and Fmaj7sus2 throughout most of the verses and chorus, providing a solid foundation for rhythm guitar. The rhythm involves a combination of strumming and palm muting, creating a captivating groove.

Breakdown chords + TABS

7. “Refugee”

Refugee was released in 1979 on the album “Damn the Torpedoes,” the song is a powerful rock anthem that embodies resilience and determination. It tells a story of survival, urging listeners to persevere through life’s challenges and find strength within.

The chord progression follows F#m – A -E (4x) and then D and B, in both the verses and chorus, creating a driving and energetic sound with the use of power chords.

Refugee chords + TABS

8. “Don’t Do Me Like That”

“Don’t Do Me Like That” is a catchy rock song that delves into the frustration and uncertainty of a strained relationship. It emphasizes the need for respect and fair treatment in love.

The chord progression follows G – F(maj9) – C – D in both the verses and chorus, creating a catchy and memorable sequence and ideal for beginners to practice

Don’t do me like that chords

9. “Into the Great Wide Open”

“Into the Great wide open” was released in 1991 on the album of the same name, “Into the Great Wide Open” tells a cautionary tale of a young man named Eddie who embarks on a journey to stardom but faces the pitfalls of the music industry. Johnny Depp was casted for the video of the song.

The chords for the song starts with Em – EmMaj7 – Em7 – Em6 for the intro and first part of the verse and then continues with Am – Am/G – Am/F# – Am/G – and G – F – C – G – C – G creating a beautiful chord progression. The chorus turns goes into a more major feel good flavor that opens up the song with a catchy melody.

Into the great wide open chords

10. “Runnin’ Down a Dream”

“Runnin’ Down a Dream” was written by Tom Petty, Mike Campbell, and Jeff Lynne and released in 1989 on the album “Full Moon Fever”. It’s an energetic rock anthem about pursuing one’s aspirations with unwavering determination. The song tells the story of a relentless pursuit of a dream, overcoming obstacles and staying focused on the journey.

The song features a driving chord progression of E – D for the verse and A – G – E throug the chorus making it an excellent choice for practicing power chords. The rhythm combines a mix of palm-muted downstrokes, open strums, and occasional accents, creating a rhythmic groove that propels the song forward.

Running down a dream chords + TABS

Check out the official chords and Tabs in the “Tom Petty – The Definitive Guitar Collection (Guitar Recorded Versions)”

Sometimes you want to play some fun, uptempo guitar songs that make you feel good inside, songs you can strum and sing along with in a good solid tempo that puts a smile on people faces.

The tempo of such a song will usually be somewhere between 100 and 140 bpm (beats per minute).

I selected some of the best upbeat songs with accompanying guitar lessons, chords and tabs.

Have a great time!

We Can Work it Out – The Beatles

This song has such an amazingly good vibe it will make you instantly happy listening to it. “We can work it out” is played in the key of D and consists of the following chords: D – Dsus4 – C – G – A – Bm – Bm/A – F#7sus4 – F# – Bm/G – Bm/F#. The song has not only a lot of chords in it, it also contains different rhythm / strumming patterns which makes the song really fun to play. It’s definitely worth the practice to nail this beautiful song.

Check out the chords and lyrics here: We can work it out chords

Mr. Jones – Counting Crows

Mr. Jones is a great strum and sing along tune with a good solid uptempo beat. The song consists of 5 chords: Am – F – Dm – C – G. The strum pattern is also pretty straight forward and follows the pattern: down-down-down-up-down-up, counting 1-2-3&-4&.

Check out the chords and lyrics here: Mr. Jones Chords

Brown eyed girl – Van Morrison

One of the most happy feel good songs ever is Brown eyed girl by Van Morrison. This song uses only 4 open chords: G – C – D – Em. The verse song structure follows G – C – G – D and in the chorus the Em chord is added to spice things up. For the rhythm we use a very common strumming pattern: down-down-up-up-down-up.

Check out the chords and lyrics here: Brown eyed girl Chords

I’m gonna be (500 Miles) – The Proclaimers

I’m gonna be 500 Miles is a really fun acoustic rock song by Scottish rock duo The Proclaimers. The song uses mainly three chords E-A-B throughout pretty much the entire song, except near the end of the song it adds two extra chords F#m and C#m for a brief moment.

Check out the chords and lyrics here: I’m gonna be 500 Miles Chords

You can go your own way – Fleetwoodmac

Fleetwoodmac’s You can go your own way has got a great feel-good rock groove to it. The song can be played with the chords D – A – G – Bm using a capo on the third fret.

Check out the chords and lyrics here: You can go your own way Chords

Yer So Bad – Tom Petty

Yer so bad is a song from Tom Petty’s first solo album Full Moon Fever. This song is a really catchy breezy song that is really fun to play. The video below is a performance by Josh Turner that is just so beautiful I wanted to share it with you. The chords for the song are Am – G – D – C – Em. The strumming part follows the pattern: down-down-down-up-down-up, counting 1-2-3&-4&.

Check out the chords and lyrics here: Yer so Bad Chords

Crazy little thing called love – Queen

Crazy little thing called love is a really cheery and happy song with a nice tempo and some cool riffs to jazz it all up. It’s start off with a D – Dus4 strumming pattern that sets the tone for the whole song. Here’s the strumming pattern: down-up-down-up up-down-up. The chords for the song are D – Dsus4 – G – C – Bb – E – A – F.

Check out the chords and lyrics here: Crazy little thing called love Chords

Bad Moon Rising – CCR

Bad Moon Rising is an mid-tempo song by the legendary band Creedence Clear Waterrevival. The song has quick chord changes with a particular rhythmic chord pattern that makes the tune so recognizable. We have 3 open chords D – G and A. Practice the transition between these chords and you’ve got it down.

Check out the chords and lyrics here: Bad Moon Rising Chords

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