I always like to keep up with upcoming authentic musicians and artists, and this time I came across Sam Fender. Well to be honest my guitar students introduced me to his music and were almost shocked that I didn’t know this artist yet. So before we dive into the “Easy Sam Fender Songs to Play on Guitar,” let’s take a closer look at who Sam Fender is and tell you briefly how it all started for him.

Sam began playing guitar at around eight years old, growing up in a musical household in North Shields, a coastal town in the northeast of the UK, where his father introduced him to the instrument.

He spent hours teaching himself songs by artists like Bruce Springsteen and Jeff Buckley. Without much formal training, he developed his skills by ear.

As a teenager, he played in local pubs and small venues and started beginning to write his own music. His breakthrough came when he was discovered by a manager while working at a pub, launching his career beyond his hometown. His guitar playing always remained central to his sound.

He became widely known through songs like “Seventeen Going Under”, “Hypersonic Missiles”, and “Will We Talk?”, and has since built a catalogue that feels both modern and classic at the same time.

What Are The Easiest Sam Fender Songs to Play on Guitar?

If you’re getting into Sam Fender on guitar, some of his songs are quite beginner friendly because they rely on simple chords and steady rhythm rather than complex solos.

“Dead Boys” is a great starting point, using basic open chords and an easy tempo, while “Getting started” features a simple chord progression with chords like Em – G – D – C.

“Will We Talk?” is another accessible song with only three chords but a bit faster, helping you build timing and strumming energy. And “Play God” is another good option with four chords: G – Em – Bm – A

Overall, many of his easier songs use common chords like G, D, Em, and C, making them ideal for beginners looking to practice consistency and musical feel.

Another trick to make songs easier to play in this list is leave out any chord additions, so instead of playing Cadd9 just play C, instead of playing Am7 just play Am, Dm7 becomes Dm, and so on.

For each song title I added a link to the lyrics and chords for the song.

Now let’s look at some Easy Sam Fender Songs to Play on Guitar

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Seventeen Going Under

“Seventeen Going Under” came out in July 2021 as the lead single from Sam’s album Seventeen Going Under. It’s about Fender looking back on being 17 dealing with money worries, family struggles and everything that comes with growing up too fast. The chords for the song are Em7 – D – G – Cadd9 Chords and lyrics

Rein me in

“Rein Me In” was written by Sam and appeared in 2025 on his album People Watching. The track was produced with Adam Granduciel, Markus Dravs, along with band members Dean Thompson and Joe Atkinson.

Not long after its release he put out an alternate version featuring Olivia Dean following a live performance the two did together. Her vocals brings a new angle to the song while keeping the overall feel close to the original. The chords for Rein me in are G – Am7 – Dm7 – Fmaj7 – Em7 Chords and lyrics

Hypersonic Missiles

“Hypersonic Missiles” was released in 2019 as the title track from his debut album Hypersonic Missiles. It looks outward at the wider world, capturing that sense of overload and tension without getting too heavy about it. The chords are E – F#m7 – A Chords and lyrics

Will We Talk?

“Will We Talk?” came out in 2019 on his debut album Hypersonic Missiles. It tells a pretty straightforward story about a night out that turns into something more complicated. The guitar parts are bright and driving built around jangly Fender tones that carries the whole song. It is one of his more upbeat tracks, and a good example of how he keeps things simple but effective on guitar. It’s a three chords song: C – F – G Chords and lyrics

Dead Boys

“Dead Boys” by Sam Fender was released in 2018 and later appeared on his debut album Hypersonic Missiles. It deals with the subject of male suicide in a very direct way, inspired by people he knew growing up. Chords are Am – F – G – C Chords and lyrics

Getting Started

“Getting Started”  is the opening track from his second album Seventeen Going Under, released in 2021. It has more of a restless feel with Fender talking about creative pressure and trying to find direction after his early success. The song contains four chords C – G – D – Em Chords and lyrics

The Borders

“The Borders” by Sam Fender was released in 2019 as part of his debut album Hypersonic Missiles. It was produced by Bramwell Bronte and Rich Costey. The recording sessions took place between RAK Studios in London and studios in Los Angeles. The chords is the song are F – C – G – Am Chords and lyrics

Spit of You

“Spit of You” was written during the period leading up to his second album Seventeen Going Under, around 2020, when he had time to step back from touring and reflect a bit more. It is one of the songs that came together quite naturally drawing on his personal experiences and shaping it into something simple and direct. Chords : D – Em7 – C – G – Bm Chords and lyrics

Play God

“Play God” by Sam Fender came out in 2017 as one of his earlier standalone singles, before his debut album. The song was recorded in London, with sessions taking place at RAK Studios. He worked with producer Bramwell Bronte, and the track features his early touring band, including Dean Thompson on guitar and Joe Atkinson on keys, alongside his regular rhythm section. Chords: G – Em – Bm – A Chords and Lyrics

When it comes to modern singer-songwriters, few have made as strong an impact as Jason Isbell. His songs are known for honesty, elegance and beautifully live feel recordings. A thrill to listen to as a musician. 

Alongside Ryan Adams and Damien Rice, Jason has become one of my favorite singer-songwriters.

Jason Isbell began his career in the early 2000s as a member of Drive-By Truckers. He established himself as a standout songwriter before leaving to pursue a solo career.

After a few early solo records, his breakthrough came with Southeastern. It marked a turning point both personally and artistically following his sobriety.

Since then, he has released a series of critically acclaimed albums with The 400 Unit. The earned multiple Grammy Awards and becoming one of the leading voices in modern Americana music.

Today we’ll explore some of the best Jason Isbell guitar songs for you to enjoy!

Cover Me Up

“Cover me up” was written for Jason’s wife Amanda Shires. The song reflects Isbell’s struggles with addiction and how her love helped him rebuild his life. The song was released in 2013 as the opening track on his album Southeastern. Isbell has said the song was so personal he initially had trouble performing it without breaking down. The song uses the chords: D – G – Bm – Em Chords

If We Were Vampires

“If we were vampires” was released in 2017 on the album The Nashville Sound. Isbell often performs it live as a quiet, stripped-down moment in his shows. It has become especially powerful when his wife and bandmate Amanda Shires joins him, adding extra weight to the song. The chord for the song are : Em – Bm – C – G – Dsus4. The guitar is tuned down 2 half steps so the strings are D – G – C – F – A – D Chords

Speed Trap Town

“Speed Trap Town” is a somber, story driven song about growing up in a small, declining town where opportunities are limited and people often feel stuck. The song was released in 2015 on the album “Something More Than Free”. Isbell has said songs like this draw heavily from his own upbringing in small-town Alabama. The song contains a beautiful slide guitar solo. The chords are D – G – D/B – Em – A Chords

Stockholm

“Stockholm” by Jason Isbell is an upbeat, rootsy love song. It was released in 2013 on the album Southeastern. The recording has a loose live in the room feel. And Isbell has been associated with using vintage-style Gibson acoustics particularly a Gibson J-45 around that era. The chords for the song are G – C – Em – D – G/F#. The capo is on the 2nd fret. Chords

Flying Over Water

“Flying Over Water” is an energetic, rock-leaning song about restlessness, risk, and the pull to chase something beyond the familiar. It uses the image of leaving land and “flying over water” as a metaphor for stepping into the unknown. The song was recorded at Sound Emporium Studios. This studio in Nashville is where most of the album Southeastern was tracked. Isbell worked with producer Dave Cobb who is known for creating a very live, organic recording environment. He often has musicians play together in the same room rather than layering everything separately. The chords for the song are A – E – F#m – Bm – D Chords

Elephant

The song “Elephant” is about friendship, illness, and confronting mortality. It tells the story of a woman battling cancer and the quiet, often unspoken emotional weight that comes with it. It was released in 2013 on the album Southeastern. The song chords are Em7 – G6 – A7sus4 – Cadd9 – Dsus2 – Dsus2/F# Chords

24 Frames

“24 Frames” is a driving, introspective song about living with intention and recognizing how quickly life can change. It emphasizes the idea that every moment matters. It was released in 2015 on the album Something More Than Free. The track was recorded in Nashville with producer Dave Cobb. Isbell has described writing it as a reminder to stay present and accountable in his own life. During this period, he was often playing a Gibson ES-335. The song uses mostly four chords G – C – Em – D with an occasionally D7sus4 chords

Decoration Day

“Decoration Day” is about a long-standing family feud, exploring themes of violence and loyalty. Isbell has said it was inspired by real events from his own family history. It was released in 2003 on the album Decoration Day by Drive-By Truckers. The song was recorded at Chase Park Transduction Studios in a mostly live, quick session. Isbell used Gibson-style electric guitars and tube amps typical of the band’s Southern rock sound. The chords for the song are C – C/B – Am – Am/E – G – G/B – Em Chords

Something More Than Free

“Something More Than Free” by Jason Isbell is a reflective song about working-class life and finding dignity beyond just making a living; in interviews, Isbell has said it was inspired by his own background and respect for hard work. It was released in 2015 on the album Something More Than Free. The song was recorded at Sound Emporium Studios with Dave Cobb in live studio sessions, with Isbell using Gibson electrics and Martin acoustics Chords are G – C – G/F# – Em7 – Am7 – Cmaj7 – Dadd4add9 Chords

Hope the High Road

“Hope the High Road” is an uplifting, politically tinged song about choosing empathy and integrity even in divided times; in interviews, Isbell has said it reflects his frustration with public discourse and his desire to “take the high road” rather than respond with anger. It was released in 2017 on the album The Nashville Sound. The track was recorded at RCA Studio and the song contains a really nice slide guitar solo. The chords for the song are F#m – A – D – Bm – E Chords

What’s your favorite Jason Isbell song? Please share it in the comments.

~Klaus Crow

“Your future is shaped by the habits you repeat, not the goals you set.”

We all have those days when picking up the guitar feels like a chore. Maybe you’re tired, distracted, or just plain uninspired.

But here’s the thing: consistency is key when it comes to becoming a better guitarist. And while motivation might come and go, building a practice habit that sticks can keep you moving forward, even on days when you don’t feel like it. You’ll thank yourself later on.

So how can you stay consistent with your guitar practice, even when you’re feeling unmotivated? Here are a few tips that can help you keep that guitar in your hands and your progress on track.

1. What and Why: Clarify Your Purpose for Practicing

Before you can stay consistent with your practice, it’s important to remind yourself of what you want to achieve and why you want to practice in the first place and write that down!

When you’re struggling with motivation, it’s easy to forget the bigger picture, your goals, your love for music, or the thrill of learning new things.

Ask yourself:

• Do you want to improve your skills to play your favorite songs?
• Are you aiming to play in a band and become a rhythm or lead guitar player?
• Is your goal to master a particular technique or style of music that makes you feel good?

Knowing your personal motivations, you’ll have a clear reason to pick up the guitar even on tough days. This “why” will keep you connected to your larger goal, making it easier to push through moments of doubt.

Once you’ve got your goal in mind, break it down into smaller, actionable steps, which leads us to the next point…

2. Set Small, Achievable Goals

When you’re staring at your guitar and don’t feel like practicing, it can be easy to think, “What’s the point? I won’t get any better today,” “Its all too overwhelming.”

Instead of focusing on a long practice session or a big goal, set a small and manageable objective.

This could be something like:

• Learning a new chord
• Playing a scale for 5 minutes
• Practicing a single phrase of a song

By narrowing your focus, you make the task less daunting. The key is to give yourself something achievable to accomplish, and once you’ve done that, you might find that you’re motivated to do a little more. Even a brief, focused practice session is progress.

3. Create a Routine That Doesn’t Rely on Motivation

Motivation is fleeting, it comes and goes. But a consistent routine will carry you through when motivation is low. Build a practice routine that becomes a non-negotiable part of your day.

Whether it’s 10 minutes before work, 30 minutes after dinner, or a quick session before bed, make it a habit that doesn’t require you to think about it too much.

You don’t have to practice for hours every day. Just carve out time every day to touch your instrument, even if it’s just for a few minutes. Over time, your routine will become second nature, and it’ll be easier to push through the days when you don’t feel like it.

4. Use the “5-Minute Rule”

Sometimes, all you need is to start. Commit to practicing for just five minutes. This psychological trick is perfect for breaking through the resistance of not wanting to practice.

You’ll often find that once you’ve started, you’re in the flow, and five minutes turns into 15 or 30 minutes of productive practice.

If you can’t find the motivation to do more, at least you’ve shown up for those five minutes. And as we know, consistency is built on showing up, and consistency will get you the results.

5. Mix It Up

One of the main reasons practice becomes a grind is when you’re stuck doing the same thing over and over. If you’re not feeling motivated, change things up!

Try a new song, learn a new technique, or dive into a different genre. Variety keeps things fresh and exciting, and it might reignite your passion for the guitar.

Even experimenting with simple things like changing up your practice environment (playing in a different room, outdoors, etc.) can create a change of pace that makes practice feel less like a routine.

6. Find a Practice Buddy or Join a Community

Practicing alone can sometimes feel isolating. But finding a practice buddy or joining a community can give you a reason to keep showing up.

Whether it’s an online forum, a local jam group, or a friend who plays guitar, having someone to share your practice with makes it more enjoyable. You can swap tips, learn new things, or just hold each other accountable.

Even if your practice buddy isn’t there in person, knowing that someone is going through the same process as you can motivate you to stick with it.

7. Focus on Enjoyment, Not Perfection

Finally, remember that guitar is supposed to be fun. If you’re always stressing about perfecting your technique, it can burn you out. Instead, focus on the joy of playing and learning.

Even if you mess up, or don’t feel like you’re improving as quickly as you want, celebrate the fact that you’re playing music.

Music is meant to bring joy, not stress, so let go of the perfectionist mindset. Enjoy the process, and the results will follow.

Conclusion: Consistency Over Perfection

Staying consistent with your guitar practice doesn’t mean you have to be perfect every day. It’s about building a habit that carries you through the highs and lows, even when motivation is low.

Small goals, routines, mixing up your practice, and remembering the joy of music will help you stay on track.

On those days when you just don’t feel like practicing, remind yourself that showing up, even for just five minutes, makes a difference. It’s the small, consistent efforts that lead to big improvements over time.

Now go pick up that guitar and remember: every note you play is a step forward.

Have a great one!

Hi wonderful folks,

It’s been a while since I’ve been posting regularly on Guitarhabits. The past couple of years have been pretty crazy. I’m usually hesitant to share too much of my personal life online, especially with how things can spread on the internet. But let’s just say that people close to me passed away and I was dealing with some health issues myself.

I’m not sharing this to make anyone feel sorry for me, we all have our challenges in life. But because of your loyal support over the years, I felt it was only fair to let you know how I’m doing. I also know how it feels to follow people online and slowly feel like they become a small part of your life.

I’m doing okay now, though I’m still a work in progress. But I guess that’s what life is all about, right? Haha. The past few years have taught me some tough but valuable lessons, and they’ve also opened the door to new and exciting things in my life that are slowly beginning to take shape.

Alright, let’s move on to the fun part.

Miss the Train

I recently released a new song on Spotify and AppleMusic. It’s a song I wrote and recorded about ten years ago but never actually released. A few months ago I found myself listening to it again after a long time, and somehow it just felt like the right moment to finally share it with the world.

The song is called “Miss the Train.” It’s about the constant rush in life, how many people feel the pressure to keep running and chasing something bigger and bigger. In the song, the main character decides to miss that train and stay behind, choosing a simpler and more meaningful way of living.

I would love it if you’d give it a listen and if you happen to like the song feel free to add it to one of your Spotify or Apple playlists.

Guitarhabits

Well, despite all the bumps in the road, I still love Guitarhabits. I love sharing guitar songs, inspiring and motivating people, and writing about everything related to the guitar. I’ll keep doing that, maybe in an unpredictable and inconsistent way, or maybe the opposite. I honestly don’t know yet.

Of course, I’d like things to be more consistent, but life tends to happen while we’re busy making other plans. Sounds familiar, right?

As I mentioned earlier, life is still figuring some things out for me, and I’m curious to see where my path will eventually lead. For now, I’m just excited to see which direction things will take. I’ll keep you posted along the way.

I have to admit, there’s something I really enjoy about being in between things and not knowing exactly where everything is heading. It’s about letting go of control a little and simply appreciating whatever unfolds in front of you.

Anyway, new Guitarhabits posts will be showing up in your inbox again soon

P.S.
Let me know in the comments what you think of the song :)

Kind regards,
Klaus Crow

Dreaming of playing Noah Kahan easy songs on guitar but don’t know where to start? You’re in luck,many of his tracks are built around simple progressions and acoustic friendly arrangements, making them perfect for beginners.

Learning his songs is a fun way to practice chord changes while actually enjoying what you’re playing.

Most of his popular tracks stick to basic open chords like G, C, D, Em, and Am. Adding a capo can help match the original key without any tricky fingerings, keeping everything accessible.

Where to start?

“Stick Season” is one of the easiest to pick up. It’s repetitive, uses only a few chords, and sounds great even for new players.

Why it’s beginner-friendly:

• Simple chords: C, G, D, and Em run through the whole song.
• Repetitive structure: Learn the verse and you’ve basically learned the rest.
• Gentle tempo: Easy to follow while singing along.
• No complicated strumming: Downstrokes or a basic pattern are enough to bring it to life.

With just a handful of chords and a little practice, these Noah Kahan easy songs on guitar let you start playing and enjoying his music immediately.

Have a great one!

Stick Season

Stick Season is one of his most recognizable hits written during a period when he moved back to Vermont. He began reflecting on isolation and change during the quiet fall months. You can play the song with four main chords: A, E, F#m, and D. The strumming pattern stays steady throughout most of the song. You lock into the rhythm, you can focus on clean chord changes.

Dial Drunk 

Dial Drunk is another standout track from Noah Kahan. It’s written around the all too relatable moment of calling someone you shouldn’t after a long night out. You can play the song with four main chords: C, G, D, and Em. It works well with a capo on the 1st fret to keep the chord shapes beginner friendly.

Forever 

Forever is a quieter, more introspective track from Noah Kahan, recorded during the Stick Season sessions in 2021–2022.

Much of the album was created his hometown Vermont where Kahan returned during the pandemic.

The song can be played using beginner friendly chords C – F – G – Am – Dm.

Everywhere, Everything (feat. Gracie Abrams) 

Everywhere, Everything is a collaboration between Noah Kahan and Gracie Abrams with Abrams joining after Kahan had already written it. The song was recorded as part of the Stick Season era in 2021–2022. The song relies on an easy set of chords G, Em and C using a capo on the 4th fret.

You’re Gonna Go Far 

You’re Gonna Go Far is often interpreted as an encouraging send off. The song is meant to be heard from the perspective of the place being left behind rather than the person leaving. The track was recorded for the Stick Season sessions, including places like Curb Studios and Northern Lights Recording. On guitar, the song is very approachable, using familiar chords like G – Am7 – C and D.

Call Your Mom

Call Your Mom is one of Noah Kahan’s most powerful tracks drawn from the Stick Season (We’ll All Be Here Forever). The song was shaped in the same Vermont rooted period that defined much of that era’s music, with Kahan and producer Gabe Simon crafting the recording. Before its official release, Kahan brought the song to life onstage in Los Angeles with Lizzy McAlpine, and her addition later gave the studio version a new layer of hope when released as a duet.

Come Over 

“Come Over” draws from Kahan’s reflections on feeling overlooked, yearning to belong, and inviting someone into his world despite its imperfections. Early live performances hinted at how personal the track felt for him, resonating strongly with the fans. “Come Over” uses the chords E – B – A that repeat throughout the song. 

Orange juice

Orange Juice is a heartfelt track by Noah Kahan about friendship and reconciliation, written during the Stick Season sessions in 2021–2022 in Vermont, and released as part of the album through Mercury Records and Republic Records, the labels that have supported much of Kahan’s breakout success. Its title comes from a small gesture a glass of orange juice that captures care amid difficult moments. On guitar, it uses simple open chords G – D – Em – C with a capo on the 2nd fret, making it approachable for beginners. 

Your Needs, My Needs

Your Needs, My Needs is a reflective track by Noah Kahan that delves into the emotional weight of a relationship where one person’s needs begin to overshadow the other’s. It was released on June 9, 2023 as part of the deluxe edition of Stick Season (We’ll All Be Here Forever). Guitarists often play it with familiar chords G – C – D – D7 – D7sus4 Em starting with a cool fingerpicking intro.

The Great Divide 

The Great Divide is a deeply introspective single by Noah Kahan that explores feelings of evolving relationships that come with growing up. It was written with longtime collaborator Gabe Simon and recorded at Guilford Sound Studio in Vermont as part of the sessions for his fourth studio album of the same name, released on January 30, 2026 through Mercury Records. The Chords for the song are Em – D – G – C – Am and Bm using a capo on the 4th fret. 

Bob Dylan is one of the most influential songwriters of all time, and his music has inspired generations of guitar players and singer songwriters.

From simple acoustic strumming patterns to iconic fingerpicking riffs, Dylan’s music offers countless songs that are accessible for guitarists of all levels.

In this guide to the Best Bob Dylan Guitar Songs, we explore the tracks that are most fun to play, instantly recognizable, and perfect for improving your guitar skills.

Whether you’re a beginner looking for easy Bob Dylan songs or an experienced player searching for timeless folk and rock classics, this list highlights the essential Bob Dylan guitar songs every guitarist should know, complete with chords, tabs, and step-by-step video lessons to help you learn each song and start playing right away.

Pick one Bob Dylan song, grab your guitar, and just start playing. Even a few minutes a day with a Dylan tune can quickly build confidence and keep you motivated to keep going.

Have a great one!

Blowin’ in the wind

“Blowin’ in the Wind” is one of Bob Dylan’s most popular songs and a must-know for any guitarist. The song is built on three easy chords ( C – F – G ) and a straightforward strumming pattern, making it perfect for beginners who want to play a beautiful classic right away. Chords Tabs

Knockin’ on Heaven’s Door

Knockin’ on Heaven’s Door” is a perfect example of how simple songwriting can be incredibly effective on guitar. The slow tempo and repeating chord progression ( G – D – Am – G – D – C ) make it easy to settle into the groove, even if you’re still building confidence. It’s one of those songs that sounds great whether you’re playing alone or jamming with others. Chords Tabs

Hurricane

“Hurricane” shows a very different side of Bob Dylan’s guitar playing, built around a driving rhythm that keeps the song moving from start to finish. The chords for the song are Am – F – C – G – Em – Dm. It’s a great pick if you’re looking to step beyond basic folk strums and try something more energetic. Chords Tabs

Tangled Up in Blue

“Tangled Up in Blue” was written by Bob Dylan in the early 1970s and released in 1975 on Blood on the Tracks. The song came out of a period of major personal change for Dylan, and its shifting perspectives and flowing story reflect that time in his life. On guitar, the repeating chord pattern keeps the song moving and makes it easy to settle into a consistent groove while playing. Chords Tabs

All Along the Watchtower

All Along the Watchtower” is one of Dylan’s most famous songs and a must-learn for any guitarist. Its repeating chord pattern ( Am – G – F – G ) and driving rhythm make it perfect for experimenting with dynamics and picking techniques. The song is also famous for Jimi Hendrix’s iconic cover, which adds a whole new level of electric guitar energy to Dylan’s original. Chords Tabs

Like a Rolling Stone

“Like a Rolling Stone” is a classic that helped define Bob Dylan’s electric sound. The song’s chord progression is straightforward but powerful, making it great for practicing both strumming and rhythm changes. It’s also been famously covered by The Rolling Stones, bringing their own rock edge to Dylan’s timeless track. Chords Tabs

It Ain’t Me, Babe

“It Ain’t Me, Babe” remains a standout in Dylan’s acoustic catalog, built around simple chords and a gentle strumming pattern. Its steady rhythm makes it easy to pick up for beginners while still sounding full and engaging. The famous duet with Joan Baez adds a beautiful call-and-response element, making it even more fun to play and sing along with. Chords Tabs

Don’t Think Twice, It’s All Right

“Don’t Think Twice, It’s All Right” is one of Bob Dylan’s most famous early folk songs, written as a farewell to a past love. Its simple fingerpicking pattern and smooth chord changes make it easy to play while singing. The song’s thoughtful lyrics and gentle rhythm make it a favorite for both practice and casual playing. Chords Tabs

Mr. Tambourine Man

“Mr. Tambourine Man” is an easy-to-play guitar song with only three chords ( G – A – D ). The strumming follows the rhythm of the lyrics, which makes it fun to play while following Dylan’s story. The song became even more famous when The Byrds covered it with electric guitars and harmonies, turning it into a hit and bringing Dylan’s songwriting to a wider audience. Chords Tabs

Make you feel my love

“Make You Feel My Love” is one of Bob Dylan’s most heartfelt songs, with a slow, gentle and beautiful chord progression that works beautifully on acoustic guitar. Its straightforward structure makes it easy to follow while singing, even for beginners. The song reached a whole new audience when Adele covered it, giving it a powerful, emotional interpretation that many players enjoy learning themselves. Chords Tabs

The Times they are a changing

“The Times They Are A-Changin’” is one of Dylan’s most famous protest songs, built around simple chords and a steady rhythm. Its straightforward structure lets you focus on the lyrics while playing. The song’s message of change and progress has kept it relevant for decades, making it a must-learn for any Dylan fan. Chords Tabs

Picture yourself in a dimly lit blues club, the air heavy with anticipation. The spotlight falls on a lone guitarist, fingers dancing effortlessly over the strings. With each note, a wave of emotion washes over the audience, leaving them spellbound. This is the magic of blues guitar improvisation, creating a story through the guitar that speaks to the soul like no other.

In this blog post, I’ll teach you a gorgeous blues guitar lick that you can use for your blues soloing. The lick comes with the enigmatic b5 (blue note) and the velvety 6th note. Whether you’re a seasoned guitarist or just starting your musical adventure, this lick is a great way to spice up your blues chops.

Analyze The Blues Guitar Lick

Let’s zoom in on this cool blues lick that’s packed with colorful notes. It’s got two special notes that give it that classic bluesy touch: the “blue note” b5 (colored blue in the tabs below) and the 6th note (colored orange in the tabs below). These notes are like the secret ingredients that make this lick sound so emotional and captivating.

The “blue note” (b5) adds a bit of tension and a hint of sadness to the lick. It’s like the spicy kick in your favorite dish that keeps you coming back for more. On the other hand, the 6th note is like a warm, comforting hug. Together, these notes create a blend of emotions that are the heart and soul of the blues.

How to Play The Blues Lick?

The tabs below and the video show you how to play this gorgeous blues lick that is for both beginner and intermediate guitar players.

Practice tips

Ready to make this lick your own? Here are some easy tips to practice and improve:

1. Take it Slow: Start by playing the lick slowly. Focus on hitting each note clearly. As you get comfortable, gradually pick up the pace.
2. Feel the “6th note”: Pay special attention to the “6th note”. It’s what gives the lick that jazzy soulful flavor. You can even try some vibrato on the 6th note for a little while playing it to add extra emotion.
3. Mix it Up: Once you’ve got the basic lick down, have some fun with it! Change up the rhythm, slide between notes, or give the strings a gentle bend. Experimenting is part of the blues magic.
4. Jam Along: Find some blues backing tracks online and play the lick along with them. It’s like having a mini band to jam with! This helps you get a feel for the groove and timing.
5. Play with Friends: Grab a friend who plays an instrument or join a jam session. Playing with others can spark new ideas and make your blues lick sound even cooler.
6. Record Yourself: Hit that record button while you practice. It’s a great way to track your progress and see where you can improve.

So there you have it, now grab your guitar, have some fun, and let those bluesy vibes flow.

Wait up!

“I’d love to hear from you! Drop a comment and let me know what you think.

Today we’re going to learn two beautiful blues licks in the key of A and in the key of E that are both suitable for beginners and intermediate. You can see blues licks as the words and sentences that make up your story line. By learning blues licks you create the skills and vocabulary for your soloing and improvisation. Let’s learn some blues language!

2 Beautiful Blues Licks for Beginners and Intermediate

We start with a blues lick in the key of A with the first couple of notes from the A minor pentatonic scale position 2 (D-shape) and the last 6 notes from position 1 (E-shape). We also added the major 3rd to give you that overall happy blues sound.

The second blues lick is in the key of E starting with notes derived the E minor pentatonic scale position 4 (A-shape) and then rolls down to position 3 (C-shape), then goes back using the same notes from position 4 (A-shape) and then goes higher up the fretboard to position 5 (G-shape).

If you want to learn more about licks, scales and positions / shapes, soloing and improvisation check out 50CoolBluesLicks.com

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The question of why to learn an instrument is a well-answered one: To learn a new skill, to develop musicality, to have a creative outlet, to have fun, and so on. But for beginner guitarists or those thinking about starting, the question is specifically why learn guitar?

Well, lots of reasons is the short answer.

The main theme linking so many of the reasons, though, is the guitar’s ubiquity – its common-ness of use, its being so present in so much music and so many groups and ensembles. 

Here are some examples of how popularity translates into reasons to learn guitar:

Reference Material

Firstly, the huge majority of contemporary music features at least one guitar part, meaning the wealth of songs to learn is possibly greater for the guitarist than for any other aspiring instrumentalist.

Secondly, the abundance of online lessons, tutorials, how-to guides, and repair tutorials that has sprung up around the instrument’s omnipresence means that a guitarist can find just about anything they need at any stage of their progress.

Social Opportunities

The guitar is a very portable and social instrument by nature. It’s not difficult to mentally conjure scenes of people playing at parties, jamming at a friend’s house, teenage bands playing in garages, buskers, and so on. This is an instrument that lends itself perfectly so so many social musical opportunities.

Of course this isn’t exclusive to the guitar, and in fact some of the scenarios listed above are absolutely enhanced by a singer, bassist, keys player, vocalist etc. But there’s really only so many harps you can fit in a garage.

Bands and Ensembles

Nearly all rock, pop, blues, folk, funk, punk, soul, jazz, metal, and indie bands require at least one guitarist. Guitarists are always present in function/wedding bands, acoustic sets, cafe-bar duos, live shows, music videos, studio sessions – they’re everywhere. It’s also one of the instruments that can play great solo arrangements of songs and pieces, or can comfortably be the only instrument accompanying a vocalist.

It’s important when learning an instrument that you do so within the context of many opportunities like this – things to aspire to and work towards, things to aim to achieve, diverse ways of utilising the talent you hope to nurture within yourself.

Work Opportunities

This is an extension of the previous point. For intermediate and advanced guitarists, and beyond, to the extent that some or all of their paid work is in the music industry, it’s important that there are work opportunities.

This is exactly why guitarists being so in-demand is vital. The instrument’s popularity means that there are many guitarists about and competition can be tough. However, this is counterbalanced by everything we’ve discussed above – i.e. That scenarios requiring at least one guitarist are so common that there are ultimately plenty of work opportunities for those who meet the standard – especially in larger cities, or in communities who work online a lot.

Hi folks, I know you’ve been waiting eagerly, and your patience is rewarded. Here it is: Part IV of the Effective One-Octave Major Scales! This is the final lesson of these series and if you haven’t had the chance to dive into Part I, II & III and you don’t know why you should, I recommend that you check them out. Here are the links below:

Effective One-Octave Major Scales and Why! Part I

Effective One-Octave Major Scales and Why!Part II

Effective OneOctave Major Scales and Why!Part III

With Part IV of the lesson we are really getting into the area where most of the guitar solos take place. Take your time with these 3 major scale patterns. Learn and memorize them thoroughly. Don’t half ass it!

Starting from the Root Note on the G-string

We’re now going to learn the three major scale shape/patterns with the first (root) note starting on the G-string (3rd string).

Tip: Learn and memorize the notes on the G-string so you know where you are on the fretboard. Know your notes!

Major Scale Fingering / Positioning

The numbers in the yellow neck diagrams indicate the fret-hand fingering. The neck diagrams clearly show the shape and pattern of each scale. Learn to visualize and memorize the shape of each pattern.

| 1 = index | 2 = middle finger |3 = ring finger | 4 = pinky |

Practice, practice, practice!

Once you got the G major scale shapes thoroughly under your fingers learn the pattern in different keys. If you know how to play the scale somewhere on the neck doesn’t neccesarily mean you can play it everywhere else. Practice the scale all over the neck! Go the extra mile.

Take this moment to invest in yourself. Pour yourself a nice cup of coffee or tea, find a descent chair, sit straight and makes sure you have proper posture and hand positioning, set a timer to 30 or 60 minutes, own this time, focus, practice and enjoy!

MAJOR SCALE SHAPES – ROOT NOTE STARTS FROM THE 3RD STRING

G MAJOR SCALE fingering / shape / pattern #10

G MAJOR SCALE fingering / shape / pattern #11

G MAJOR SCALE fingering / shape / pattern #12

Assignments:

• Vividly memorize the shape and the fingering of each scale pattern.
• Learn and memorize all the notes on the fretboard so you know the key of the scale when you move the scale shape/pattern up or down the neck.
• Memorize where the root notes are located.
• Learn the one-octave major scale shapes in different keys.
• Play the scales along with a metronome gradually increasing the bpm.
• Re-practice the one-octave major scale patterns of Part I, II & III.
• Try to create some melody and learn to solo with the scale patterns over a major scale chord progression.
• Bonus Intermediate/Advanced Assignment: Call out the note name of each note where your finger lands while you play the scale. G major scale: G – A – B – C – D – E – F# – G. Do this exercise in all 12 keys.

How did you do so far? Where are you on the path? What are your struggles? Do you like these lessons? Please share your comments below. I always respond. Thanks, I appreciate it. -Klaus Crow